Tag Archives: SoundCloud

Caratacus – another new track for the Acolyte

Soundcloud is getting to know me too well. Caratacus was one of the tracks it recommended for me this morning. I listened and fell in love!

Caratacus was composed by Dirk Ehlert. He may become a new favourite composer too. Still listening to some of his other tracks.

Soundcloud also recommended an epic but disjointed track that immediately made me think of ‘The Seven’. I can’t say I like it, but I know precisely where it fits so I had to create a new playlist in which to save it.

If you’ve never given Soundcloud a try, please do. It’s free [although I believe there is a paid version?] and only interrupts with a commercial maybe once in an hour. Not bad at all. And its recommendations are eerily accurate, at least for me.

Well, I’m off to do some volunteering. Have a great day. 🙂

Meeks

 


Music for the Acolyte

Music has always been a vital part of my writing because it speaks directly to the emotional and creative side of my brain. In a very real sense, it puts the logical side to ‘sleep’. For me, that is a necessity because technical writing comes so much easier.

But finding the right music for the right story has never been easy. Until today.

I give you, ‘The Journey of a Scarecrow’, by Indie composer – Jean-Gabriel Raynaud:

The instant the Scarecrow track began to play [on Soundcloud], I knew precisely who it was for. The quirky playfulness screamed ‘Acolyte’!

Who? What?

For those few brave souls who read my scifi/fantasy novel, ‘Vokhtah’, you may remember the small iVokh who worked for the Healers in Needlepoint. The Scarecrow is its signature song.

For everyone else, here’s a short excerpt from the book that introduces the reader to the Acolyte:

The Female was fast asleep when the steady drip, drip of the timepiece was joined by the scrape of wood across sand.

It was a small sound, as was the gap that appeared between the edge of the door and its frame. The gap was just wide enough to admit two twiggy fingers tipped with blunted claws. The fingers strained at the wood to no avail.

A dull thump sounded from the other side of the door as something heavy hit the sand. Two more fingers appeared and four blunted claws dug into the wood as the fingers jerked at the door. Each jerk widened the gap a little further until persistence finally triumphed, and the opening became wide enough for a small black face to appear.

Everything about that face was small, except for the eyes, which glowed huge and golden in the soft, blue light of the chamber’s single glow-worm.

After darting a timid glance from left to right, the face disappeared only to be replaced a moment later by a small black rump. Over-sized, jet black wings swept the sand as the hunched shape of the small iVokh backed into the chamber, dragging a sloshing leather bota. The water sack was almost as tall as the iVokh itself.

Diminutive by any standard, the healers’ acolyte looked more like an iVokhti than a fully-grown iVokh. In fact, the only parts of its anatomy close to normal size were its wings, and they seemed far too large for its small frame.

The Acolyte’s lack of stature was accompanied by a corresponding lack of strength. The Junior mocked its weakness at every opportunity, but the young iVokh prided itself on never failing in its duty. Clever and resourceful, it compensated for the weakness of its body by using the power of its wings. Only rarely did it have to rely on brute strength as it did now.

Bent over the bota, struggling to regain its breath, it stiffened as derisive hoots sounded from the outer cavern.

The Acolyte’s hide took on a hot, yellowish tinge. It did not like being closed in with the female, but it liked listening to the Junior’s oh-so-witty barbs even less. Pulling itself upright with a jerk, it grabbed the leather handle of the door with both hands and pulled. Embarrassment was a powerful motivator, and the door closed quickly.

The Acolyte features in Book 3 of The Suns of Vokhtah. Unfortunately, I’m still on book 2. That means I mustn’t allow myself to listen to this new music until I’m ready to write the Acolyte’s story… -cries quietly-

I hate these games I have to play with my subconscious, but my muse is temperamental at the best of times. At least now, I have a lot to look forward to.

Anyone else play games with their muse?

Meeks


I’ve found a new, favourite composer!

Musical tastes vary, I know, and mine may not match yours, but if it does…hi new friend! 🙂

Today I want to introduce you to my new favourite composer. His name is Peter Milinkovic, he hails from Serbia, and his company is called Talekeeper Music. What could be more perfect?

I found Milinkovic on Soundcloud which is an extraordinary website that showcases the work of new and not so new composers. The link below is for ‘Unbroken’, a track with a haunting melody and uplifting ‘pace’, very Kaati-ish :

The next one is called ‘Sun’ and the graphic is soooo Vokhtah! :

-dance-

I haz new writing music! Later all. 🙂

Meeks

 


Yes! New music for writing

Nano took a back seat this morning as I’ve been searching for the ‘right’, writing music. I listened to new music by old favourites, but nothing really matched how I feel about this new story. So in desperation I went to SoundCloud and there, thanks to SoundClouds great recommendation engine, I found…

Jon Altino

This is the playlist I just put together. It’s a bit rough as I just grabbed songs as I heard them, but the very first one – A World Asleep – is glorious and should give you some idea of the kind of music I need this year.

Jon Altino? If you’re reading this, I wanted to buy the album, but iTunes only offered Superhero. Please, please put a new album up there!

Well, time to put this lovely music to the test and fire up StoryBox.  I have this feeling P7698 is going to flow a whole lot better today than yesterday.

cheers

Meeks


#Music to write by and give away?

This is what I’m writing to at the moment:

Evolicity comes from an album called ‘XII’ by Roger Subirana, a brilliant, self-taught Spanish composer.

I stumbled onto Subirana’s music via Jo Blankenburg via Thomas Bergersen [from Two Steps From Hell] via Soundcloud.

Just as an aside, I’ve discovered more music via Soundcloud in the last few months than I did in all the time I used to spend on Youtube. That said, I still go to Youtube to find most of the trailers and video clips I post here. -shrug-

Getting back to composers, Subirana is the latest in a growing line of composers who have played a vital part in the making of Innerscape. I know I’ve been writing about Miira for a very long time, but still, look at the list of composers I’ve listened to since November, 2012:

  • Jo Blankenburg [4 albums and some unpublished songs]
  • Thomas Bergersen [1 album, Two Steps From Hell]
  • Danail Getz [1 album, Audiomachine]
  • Roger Subirana [1 album]

Seven albums plus, and all by composers who are relatively unknown to the general public. I don’t know if all of those composers are Indies, or started out as Indies, but I suspect that many did, and that got me thinking about the type of marketing open to Indies in general and me in particular. Should I pay some huge corporation more money than I can afford, for advertising that probably won’t do much for the visibility of Innerscape anyway? Or could I do something a little different and use Innerscape to promote the music I love?

Honestly, that decision was a no-brainer. When Innerscape is ready to go, I will be giving away some of the music that gives the story soul. How I do that, however, still has me scratching my head as I want it to be fun as well as effective.

If you like any of the writing music I’ve posted on this blog, would you:

  1. like to receive it as part of some kind of promotion?
  2. would you prefer a promotion that used a random names-in-hat type approach?
  3. or would you prefer some kind of competition with 1st, 2nd and 3rd prize giveaways?
  4. assuming you ‘won’, would you be happy with me selecting the music on the basis of its relevance to Innerscape? That is, more of Jo Blankenburg and less of everyone else?
  5. Or would you prefer to be given a choice as to which composer/music you receive?
  6. As I would have to gift you the music via email, would you mind having your email address added to my [non-existent] newsletter?

Of all the questions, I found #6 to be the most vexatious. At a rational level, I understand the value of having a ‘captive audience’ of subscribers to send advertising material to, but at a gut level I also know that newsletters often induce anger rather than interest. And I really, really don’t want to do that to anyone who reads my stories. 😦

One alternative that does tempt me is to ask people to ‘Follow’ me on Amazon instead of signing up for a newsletter. The ‘Follow’ feature is something I use myself, and so far at least, I haven’t found it to be intrusive or annoying. Plus another benefit of using Amazon instead of a newsletter is that I wouldn’t have to worry about what to write in a newsletter – all the interesting stuff in my life already ends up on my blog.

So what do you think? Am I on the right track or way off base? Given how little real experience I have of marketing, any thoughts really would be appreciated.

cheers

Meeks

 

 

 


#SwanDive – by Michael Halaas

I was working on Innerscape and listening to SoundCloud today when a new piece of music caught my attention. That wasn’t this, but it did lead to this:

The track is called Swan Dive and is basically a duet for piano and cello, two of my favourite instruments. The composer and pianist is Michael Halaas, and I think the cellist is Joan Jenreaud, simply because she features on two of his other tracks.

Michael Halaas’ music is very different to that of The Piano Guys, but if you like them I think you might also like him. Halaas’ music is not quite as polished, but it is beautiful and quite original.

I do have another reason for featuring Halaas’ video clip today – musicians are like Indie writers, no matter how good they are, they will never make it unless they become visible…okay, audible. This guy doesn’t seem to do much in the way of marketing, so I thought I’d give him a hand. Yes, yes, I know…the blind leading the blind, but it’s the thought that counts. Right? 🙂

cheers

Meeks


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