Tag Archives: science fiction/fantasy

What’s the good of ideals if you don’t live them?

To me, being a good person requires that you live by your ideals. But what if your ideals require that you heal the dead, even though everyone else thinks necromancy is evil?

That conflict between personal integrity and societal mores is one of the central themes of the Necromancer’s Daughter, the new book by my good friend D.Wallace Peach:

“A healer and dabbler in the dark arts of life and death, Barus is as gnarled as an ancient tree. Forgotten in the chaos of the dying queen’s chamber, he spirits away her stillborn infant, and in a hovel at the meadow’s edge, he breathes life into the wisp of a child. He names her Aster for the lea’s white flowers. Raised as his daughter, she learns to heal death.”

To me, the key phrase is ‘heal death’. Not ‘raise an army of zombies’ or ‘use necromancy to gain personal power’ but to heal. And that raises the question of motivation, another key theme in the story. This is the review I left on Amazon:

‘Aster is born dead and is brought to life by Barus, a necromancer. Not exactly what you would call normal people, and yet…two more loving people would be hard to find. And /that/ begs all sorts of questions about good and evil, love and hate, integrity and lies.
How can giving life be evil when taking it is not?
How can kindness be evil when cruelty is not?
How can living according to one’s beliefs be evil when deception is not?
These are vital questions, and give The Necromancer’s Daughter a depth that I absolutely loved. Brilliant story masterfully told.
Very highly recommended.

Both Barus and Aster are forced to flee in separate directions as a powerful, angry man uses his position to hunt them down. The reason? Revenge. He wanted his young son raised from the dead, but the child’s injuries were too severe. Had he been brought back to life, he would not have been able to stay alive. Not all deaths can be healed.

Many years later, that man’s younger son, Joreh, is caught in a conflict between Aster’s goodness and the repugnance he was taught to feel for necromancy, and necromancers. Another choice, but this time between what Joreh sees with his own eyes and what he has been taught to believe.

To get an insight into the author’s own motivation, I asked Diana whether these themes evolved during the writing of the book or were there right from the start. This is what she said:

Thanks so much, Andrea, for the beautiful review and the question. I’d say you hit the themes of the book on the head. What more can an author hope for?

I’m an outliner, so the theme of a book usually presents itself before I start writing. It bubbles up as I shape my characters and start plotting the sequence of the action.

I often find my inspiration in real life. We live in an opinionated world, where assumptions about whole groups of people are salted with cruel and dangerous righteousness. It’s easy to get sucked into battlelines, and I’m no saint, that’s for sure. In The Necromancer’s Daughter, I wanted to challenge those kinds of harmful preconceptions.

To that end, I created a character who, in common fantasy fiction, is considered pure evil, someone who is feared and ungodly, physically hideous and possessive of dark power. I wanted to challenge readers to discover the exact opposite of the typical expectation. Barus and Aster are truly good human beings who, by healing death, are risking their lives to save others.

At the same time, I wanted to create “good guys” who, through their narrow and rigid vision of the world, end up committing and justifying acts of evil. In other words, I tried to flip all assumptions on their heads!

In a way, young Joreh Graeger is the most important character in the book. He’s the one who questions the truth of his biases. He gets to know Aster as an individual, and goes through the tough process of changing his mind when his assumptions no longer apply. He learns that what is good and evil isn’t defined by power or doctrine or wealth or what he was taught as a child, but by love, kind intentions, and a desire to do no harm.

Thanks again for having me over to your blog today. You’re the best!

Ah, Diana, this sentence resonates so much! ‘He [Joreh] learns that what is good and evil isn’t defined by power or doctrine or wealth or what he was taught as a child, but by love, kind intentions, and a desire to do no harm.’ In this age of polarized battle lines, we could all do with some Asters in our lives.

I honestly can’t recommend The Necromancer’s Daughter more. If you haven’t started reading this story already, please go to one of the following sites and download your copy today. You’ll thank me. And you’re welcome. 😀

Amazon US, UK, CA, AU, IN

Barnes & Noble

Kobo

Apple

And just in case you’ve never read any of Diana’s books before, here’s a little bit about her:

A long-time reader, best-selling author D. Wallace Peach started writing later in life when years of working in business surrendered to a full-time indulgence in the imaginative world of books. She was instantly hooked.

In addition to fantasy books, Peach’s publishing career includes participation in various anthologies featuring short stories, flash fiction, and poetry. She’s an avid supporter of the arts in her local community, organizing and publishing annual anthologies of Oregon prose, poetry, and photography. Peach lives in a log cabin amongst the tall evergreens and emerald moss of Oregon’s rainforest with her husband, two owls, a horde of bats, and the occasional family of coyotes.

One of the things I love most about the internet and blogging is the ability to make friends with people on the other side of the world. Diana is one such friend. Her blog has attracted a community of writers and readers, many of whom I also call friend. I hope to see you there too. 🙂

Amazon Author’s Page: https://www.amazon.com/D.-Wallace-Peach/e/B00CLKLXP8

Website/Blog: http://mythsofthemirror.com

Website/Books: http://dwallacepeachbooks.com

Twitter: https://twitter.com/Dwallacepeach

I’ll finish this post with the beautiful video trailer Diana created for the book:

cheers,
Meeks


Vokhtah has 16 reviews!

When D.Wallace Peach [Diana to her friends] said that she was going to read Vokhtah, I warned her. I said that the story was nothing like Innerscape. I told her that there were no humans in it, that it was all about these weird aliens on another planet…

And then I promptly forgot about it because I didn’t expect her to finish Vokhtah, and I certainly didn’t expect her to review it. But she did, she did. 🙂

Forgive me for posting Diana’s review in full, but Vokhtah is my firstborn, and I still think it’s the best thing I’ve ever written.


D.W.Peach – 4/5 stars


This is a hard book to describe. “Pure Alien” is a good start, and I’m impressed by the author’s ambition and execution. Vokhtah is an alien planet and the characters are insect-like (my impression) creatures who engage in their own sort of political intrigue, espionage, and social caste system. They’re clever, dastardly, selfless, and selfish – much like humans – but there the similarities end.


The world-building is rather amazing and humans won’t find much that’s familiar here. Even the speech is different. The iVokh and Vokh are genderless “its” and don’t have names, referred to by their role in society, their ranking, and their talents. Social norms are dictated by groups and reinforce variations in dominance and subservience. It takes about a third of the book to get used to.


The story unfolds from multiple points of view, all alien. Flory doesn’t pamper the reader with backstory or explanation, but tosses us right into the strange world – sink or swim. The experience is immersive, but it requires patience to figure out who these aliens are and what the heck they’re doing. I enjoyed the story-telling, the fascinating world, the author’s imagination and writing skills. The pace was excellent and kept my interest.


I did spend a fair amount of the book confused about the characters, though. This is primarily, I think, because they don’t have names and, in many cases, go by multiple designations. For example, there are a number of Sixths and Sevenths. A Blue is also a Messenger who is also a Healer. A Teller is also a Trader, and is sometimes an Apprentice, so sometimes they’re the same character, sometimes not. There are a lot of identically designated characters as each location/eyrie in the story has the same basic social structure, and the book involves travel. I struggled to keep them straight until about 50% through when the plot began to narrow down the action and further define the characters’ personalities and motivations.


But then, I struggled to keep Erikson’s Gardens of the Moon straight. That one I gave up on; this one I didn’t. And it was worth it. By the end, I was ready for the next book in the series. I highly recommend Vokhtah to readers who love pure alien sci-fi, love a reading challenge, and want to engage with the work of a wonderfully creative imagination.

For those not familiar with ‘Gardens of the Moon‘, the book is the first volume in Steven Erikson’s mammoth Malazan Book of the Fallen series. It has an eye watering 1,221 ratings and an overall ranking of 4/5 stars.

To have something I’ve written even mentioned in the same sentence as ‘Gardens of the Moon’ makes my heart swell to epic proportions. But to have Diana say that she didn’t give up on Vokhtah when she did give up on Erikson’s first book…gods, I think my heart is going to burst!

To Diana, and every one of the amazing readers who read Vokhtah, and left a review, thank you. From the bottom of my heart.

Meeks


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