Tag Archives: Omnibus

Faces, then and now

My how time flies…

Back in May, 2015, I wrote a post about faces which included photos of real people who reminded me of Miira Tahn and Kenneth Wu, two of the main characters of the story I was writing. Then, late last year [2019] I discovered Plotagon and learned how to create animated cartoon characters for a different kind of storytelling.

These are some of the faces from Innerscape, then and now:

At the top, Miira as she might have been in real life. Below, Miira in Innerscape.
On the left, Kenneth Wu as he would have appeared in the real world. On the right, his avatar in Innerscape.

I haven’t found photos for the rest of the characters in the trilogy, but here are some Plotagon versions:

Emily Watson and her son, Jaimie.
Alex Tang and the Woman in Red

And last, but not least, Charles McGragh and Peter McAlister, both of whom work for the Innerscape corporation:

If any of you come across a real face that you think might suit one of these Plotagon cartoons, please let me know!

And now a reminder – the Innerscape Omnibus is still free and will remain so until midnight April 24, in the northern hemisphere.

If you’re as timezone challenged as me, you can look up the time conversion here: https://www.timeanddate.com/worldclock/converter.html?iso=20200425T065900&p1=234&p2=152

To start, type in the name of the first city. I chose Seattle because that’s where Amazon is located.

Next, choose your own city. For me that was Melbourne, Australia.

The converter will now show you the current time in both cities. To work out what the time will be when the free period ends, click on the date in Seattle and change it to April 24. Next, click on the time and change that to 23:59 – i.e. one minute to midnight.

The timezone converter will now show you precisely when the promotion will end in your part of the world. For Australians along the east coast it will be at… :

…4.59 pm, Saturday April the 25th, 2020.

lol – you’re welcome. 🙂

Meeks


Cover feedback please!

Back in January, many of my Aussie writer friends joined together to produce an anthology of short stories and poetry, with the proceeds going to bushfire relief. I didn’t join in because I’m not very good at short stories, but I’ve wanted to do something ever since. And now there’s this damn virus…

Anyway, to do my bit, I’ve poured all three books of Innerscape into one omnibus, and I’m going to be offering the omnibus for a limited time – basically the 90 days Amazon requires in order to give readers 5 free days. After the 5 free days are done, the omnibus will revert to 0.99 cents. I wish I could offer the whole 90 days for free, but Amazon won’t let me.

So…I’ve done the formatting and the omnibus is ready to go, but I need to settle on a cover. These are the three I knocked up yesterday:

Version 1

The version 1 cover at thumbnail size

I quite like this one as the white squares can be either shoji screens or the ‘catacombs’, both of which feature in the story. But…the image will only have meaning for those who have already read the whole story. I fear that it will do nothing for potential new readers.

Version 2

The version 2 cover at thumbnail size

This is the one I prefer, aesthetically, plus it’s more consistent with the individual covers, but will the contrast between the ideal beach and the circuitry intrigue readers enough to give the story a go? No idea.

Version 3

Okay, this is the one I like the least, but it may well be the one that most closely fits the scifi/thriller genre of the story. As my Indies Unlimited buddy, Lynne Cantwell wrote in her post about covers:

‘My cover was terrible. Oh, it’s pretty enough. But I’d been marketing the book as urban fantasy, and the cover screamed women’s fiction. The image was all wrong. The font was all wrong. Even the title was all wrong. There was nothing there to entice a reader of urban fantasy to click through and buy my book.’

How to Match Your Cover to Your Genre : https://indiesunlimited.com/2020/03/10/how-to-match-your-cover-to-your-genre/

I know my covers are never going to match either genre exactly because the typical sci-fi cover has stars and space ships, while many thrillers include images of weapons. Still, I’d like the cover of the omnibus to convey something of the two genres, and the simple circuit board of version 3 may just be it.

I would really love your feedback on the three versions, or if none of them appeal, suggestions as to how I could make the look and feel of the cover better.

Thanks in advance,

Meeks


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