Tag Archives: Innerscape

Printing Resources for Melbourne Indie Authors

My thanks to Michelle Lovi, David Prosser, and Suzanne Newnham for all the wonderful information they shared with me. Armed with this information, I went researching and found some resources that may be of use to others as well.

The following are by no means all the POD printers there are in Melbourne, but they are the ones that seemed to provide the best match to my needs.

In order of discovery:

Bookpod

http://www.bookpod.com.au/book_printing.html

This printer is based in Melbourne and requires a minimum 10 books.

Print on Demand

http://www.printondemand.net.au/content/books-manuals-reports-training-materials

This printer is based in South Melbourne. No info. on costs or shipping.

Blurb Australia?

http://au.blurb.com/lp/make-a-book?utm_source=google&utm_medium=cpc&utm_campaign=Google_AU_Printing_NonBrand_DesktopTablet_Beta_G&utm_term=%2Bprint%20%2Bbooks&gclid=EAIaIQobChMI-KLXxMr91QIVxgoqCh0zvAS0EAAYASAAEgJDBvD_BwE

This company rang a bell, but when I investigated further, I discovered that you have to use their own proprietary software and fonts. And they only seem to offer one trim size : 6 x 9

Shipping – Express only. Cost in AUD 14.99 [that was for shipping only; no idea what the print costs would be on top of that].

The shipping cost is pretty much the same as for CreateSpace so I was disappointed. 😦

IngramSpark

http://www.ingramspark.com/

IngramSpark have an Australian print facility but they do not have an Australian website [yet]. This was very confusing and I spent about half an hour following links all over the place, trying to find the Aussie site.

In the end, I rang the Lightning Source phone number and the very nice voice at the other end explained that:

  • Lightning Source is for big print jobs
  • IngramSpark is for small to tiny print jobs
  • One account to bind them all
  • Printing processed according to actual, physical location – i.e. in Australia for Australian Indies.

So, to have your book printed in Australia [with IngramSpark], you have to setup an account via the international website [shown above]. Processing the print order is the same for everyone, everywhere, but if you’re in Australia, the printing and shipping will be done from /here/.

To check the shipping costs, click on the IngramSpark website, then click on Resources followed by Tools.

You will now see a whole range of tools available for selfpublishers – including templates and the shipping calculator. I had a little bit of trouble with the shipping calculator because it didn’t seem to like the page count of 370. -shrug- When I entered 380 instead, everything was fine. This is the info I entered for the calculator [the book is Nabatea]:

I have to say, the results made me very happy. πŸ™‚

The shipping costs for 1 book gave this result:

The per book cost is almost double what the CreateSpace eStore would charge [buying at cost], however the shipping and handling work out to be more than 2/3 less. Thus, printing here works out to be quite a bit cheaper than shipping in 1 book from the US.

When I looked at 10 books, the savings were even greater:

The per book cost remains the same but so does the shipping! This means that each book costs only 44c to ship. Colour me laughing all the way to the bank. πŸ˜€

And finally, just out of curiosity, I looked up the cost of 100 books:

Clearly, the economies of scale just don’t stack up with POD as the reduction in per book cost was tiny. Nevertheless, it was heartening to see that the shipping costs worked out to be 25c per book.

So there you have it. The local copies of the Innerscape saga will be printed here in Australia, by IngramSpark. This will mean another learning curve for me, but even that has an upside as I’ll be able to publish a second how-to book titled “How to print your book [using Word and IngramSpark]”. lol

I may even offer workshops as well… Guess who’s going to be a very busy girl? -dance-

Hope this is of use to others out there.

cheers

Meeks

 

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Just a little bit famous :D

I’m kidding. I’m still not famous, dammit, but it was rather nice to have my books feature on the DVLC Facebook page. [DVLC is a community house/learning centre where I’ve volunteered for close to four years].

This is a screenshot of the Facebook article:

The lovely people from the Writers Workshop allowed me to come over and give a talk about publishing today. I was hoping to debunk some of the myths surrounding publishing – both traditional and Indie – but as it turned out, the discussion ranged much further than I expected and the time just flew.

To say I had fun would be an understatement. I’m used to chatting with all of you about writing related issues, but it feels so much more immediate when you can see your audience smiling back at you. Being able to hand my books around for the first time was also an amazing experience. I’m still on a high.

Have a great weekend πŸ™‚

Meeks

 

 

 

 

 


They. Have. Arrived….

Not ten minutes ago, the doorbell rang, the animals scarpered, and I took possession of a small cardboard box with my name on it. I knew what it must be, but…it was almost a week early!

And there they were, the print proofs of the Innerscape books. Real at last:

Sorry for the poor quality of the pics. I took them with my mobile phone so you can’t see the rich deep colour or the way the light reflects off the gloss covers. What you can see, however, is that the Godsend cover didn’t work. This is a close-up:

The bit inside the red rectangle is the background image that’s meant to represent the Innerscape containment units. Instead of being a subtle hint, the image is as good as invisible. 😦

I know I’m not a professional cover designer, so I have to learn from my mistakes, but I feel as if I should have expected this one. You see in the print preview of the Godsend cover, the image did appear much darker than the image I was working on. But…I assumed it was just something to do with the print preview function. Wrong.

The Godsend cover won’t be hard to fix, but I’ll have to ‘guess’ at the finished product because I won’t be able to request a second proof [not because CreateSpace won’t allow it, but because the postage is so ridiculously expensive].

Another thing I’m going to have to guess at is the width of the Miira spine. For some reason, the actual spine is wider that the dimension I was working with in Corel. But this is both an annoying thing and a very, very good thing because I was worried ‘Miira’ would end up being ridiculously ‘thin’. Instead, it looks and feels like a normal, albeit ‘slim’ book so I’m thrilled by that. I’m also thrilled by the back covers. They look great, they’re very readable and they are beautifully consistent throughout the three books. I’m giving myself a pat on the back for that. πŸ™‚

The Offspring and I are going to celebrate tonight with a tender Rack of Lamb, roast potatoes and a salad of homegrown lettuce, followed by a movie. I hope your weekend starts as well as mine. πŸ™‚

cheers

Meeks

 


They’re on their way!

Proof copies of Miira, The Godsend and Nabatea are on their way! Expected date of arrival is Wednesday, 23rd of August, 2017. I don’t know how I’m going to wait that long without going nuts.

I know you old hands are probably trying not to smile at my excitement, but there’s a part of me that won’t really believe I’m a fully fledged writer until those physical books finally arrive. I guess they’re not called ‘proofs’ for nothing. πŸ™‚

Of course, the pragmatist in me knows full well that these print books won’t make an ounce of difference in terms of sales – POD books are expensive and I know they won’t sell. But…I’ve taken screenshots of every step of their production – both in Word and in Createspace – and I’m seriously thinking of turning all that information into a proper how-to print book. And then there’s the satisfaction of having something physical to hand out as samples, prizes and gifts.Those kinds of intangibles really are priceless.

-rubs hands with glee –

Plus I’m going to have a lot of fun along the way. πŸ˜€

cheers

Meeks


Miira cover – in 3D

Just finished the Miira cover, version nth [honestly? I’ve lost track], so I thought I’d celebrate by playing around with a 3D version. I think it turned out okay. πŸ™‚

The new blurb for the back is:

In 2101, the average person can expect to reach one hundred and ten. Miira Tahn, last Lady of Dhurai, is dying at just fifty-two. Faced with a slow, agonizing death, her only hope is a virtual paradise called Innerscape. There, the Residents inhabit beautiful, digital bodies indistinguishable from the real thing.

Or so the brochures say. But even Eden had a snake, and once inducted, the Residents of Innerscape can never return to the real world. If anything goes wrong, they will be lost in the dark forever.

Yet for Miira Tahn, even a tenuous hope is better than the fate that awaits her.

‘…sometimes you just have to close your eyes and jump…’

And finally, underneath the blurb will be this:

β€˜Miira’ is the first book of the Innerscape cyle and corresponds to Episode 1 of the original series.

After way too much angst, I finally decided to bite the bullet and redo the ebooks as well. Once I’m finished, both print and digital versions will comprise just three books:

  • Miira, book 1 = Episode 1 of Innerscape
  • The Godsend, book 2 = Episodes 2 and 3 of Innerscape, and
  • Nabatea, book 3 = Episodes 4 and 5 of Innerscape.

It’s not an ideal solution, but it’s the only one I can think of that will translate a five-part serial into three, organic story arcs. And as an added bonus, the new splits will allow me to make book 1 permafree…once I persuade Amazon that it’s necessary.

But those are long range plans. For now I’d just like to thank everyone who commented on version 1 of the covers. You’ll never know how valuable your feedback was. Massive hugs all round! Now I’m off to make a pretty toy out of books 2 and 3. πŸ˜€

love

Meeks

 


Nabatea – Innerscape book 3 cover

Still heaps of work to do, but I’m kind of pleased how this last cover turned out. Again, it’s still a mockup but I’d appreciate some feedback. Too bold? Too hard to see? Too something else??

I really need fresh eyes so please tell me if you notice something wrong. I also need to know whether the three covers provide enough visual continuity to make it obvious this is a series?

In particular, should I change no.1 to be more like 2 and 3 in terms of the circuit board wires and size of title?

Thanks πŸ™‚

Meeks

p.s. no.2 will actually be darker in the finished version.


The Godsend – Innerscape, book 2 cover

Just a quick update to show you what I’ve been obsessing about while I should have been writing blog posts. πŸ™‚

This is just a mockup as the ‘spine’ will be wider in the final – I haven’t worked out the total pages in book 2 yet but it will be a lot wider than the one for book 1.

Okay, that’s it. No comments on this one.

cheers

Meeks


Corel Draw X8 – Miira cover final

I thought that X8 would be X6 with a slightly different interface, but it does actually have some nice features that I wasn’t expecting – like links to some very sophisticated fountain fills and a much improved transparency feature. Those features may have influenced the rather radical changes I’ve made to the cover of the first book:

Unfortunately, the image doesn’t quite show the depth of colour in the cover as the CMYK black has come through as a rather washed out charcoal in RGB [for web display]. Once the cover is printed it will be much sharper and the silvers will ‘pop’ more…I hope. Anyway, I’ll probably fiddle with the balance a bit longer, especially if you guys point out things I’m too blind to see, but this is basically the front and back cover spread that will go to Createspace for the print version.

One of the hardest things to figure out was what to put on the spine. Once I’d worked out the total number of pages for Miira, including copyright, Afterword, etc., I plugged the number into Createspace’s calculator, and it spat out the exact size the spine must be. Unfortunately, as the first book is quite ‘slim’ there’s not that much real-estate to work with.

I experimented with a number of fonts, but none gave me the crisp look I was after. And then, as I looked at the circuit board, I suddenly realised that I had all the components from which to make my own ‘font’, one that would mimic the wiring of the circuit board. Thank goodness, the end result didn’t turn out to be too kitsch. The new look circuit board also gave me the pattern for the back cover blurb. Making the text fit, however, was another exercise in patience.

And finally, a word about the new background photo. I was all set to use the bush sunset photo I’ve shown you before when I found a pic I’d taken ages ago of my own backyard:

 

I was trying to capture the amazing play of light through the trees and fluked it. The shot is nowhere near perfect, and I haven’t touched it up in any way – I don’t know how – but I instantly knew it would give me the feel I’d been searching for. Pretty happy with the result but annoyed at myself for wasting time and money on the bush sunset pic. Ah well…

I promise to do a how-to post about the Createspace calculator as soon as my eyes uncross. πŸ™‚

cheers

Meeks

 


#Corel X8 vector graphics vs photos

In my last post about the new Innerscape cover, I vented about the trouble I was having getting the silver effect I wanted. Your suggestions were brilliant so I thought I’d do a quick update of my progress. The pic below is a test graphic to illustrate the difference between the two methods and how they might look in the finished product:

The silver ‘wire’ was created using Corel X8’s fountain fill. It is clearly silver, even when I reduce the size down, i.e. it scales well. Unfortunately it is absolutely uniform, something a real ‘wire’ would never be.

By contrast, the gold ‘wire’ is a photo taken of a thin needle shape covered in foil. The foil was silver, but the lighting created this decidedly golden effect [evening, overhead light and table lamp, both with bulbs of ‘warm white’]. I only know this with the wisdom of hindsight. 😦 If you look closely at the column on the right, you will see that when I increase the size of the gold wire, it becomes more and more pixelated, i.e. it doesn’t scale well. [Clicking on the image should display a larger version]

Finally, I created two, identical slices of the circuit board. Both were made by creating the individual components and ‘grouping’ them together. The silver, vectored one is shown below:

Although each of the tubular components comes from the one, basic shape, I fiddled with the fountain fill to a) make the image more realistic, and b) to reduce the uniformity. The golden slice is also made up of individual components, but essentially I just cut them out and stuck them together. I really like the way the image turned out, and I like the golden colour, but it’s not what I was after.

Which will I use?

This question is not as either/or as it looks. In designing the covers for the Innerscape print version, I wanted each one to:

  • have a unifying ‘theme’
  • be different
  • tell a subtle visual ‘story’

Thus, as book 1 is about Miira leaving the real world and entering a virtual one, I want her facing towards the stark, artificial image of the circuit board. That’s why the image has to be instantly recognizable as part of a computer. Books 2 and 3, however, will show a gradual blurring of the lines between real and virtual, with the changing circuit board being the unifying ‘theme’ that binds each image of the series.

At least, that’s the idea. Whether I can actually pull off this ambitious idea is moot. To make it work I’ll have to create two, completely different images of the circuit board – one with the silver wires and one with the gold. As each small wire will be made up of at least 3 components, it’s going to be a huge job. Not impossible, but it will test my patience as the original circuit board image has very few wires that are exactly the same.

To be honest I think I’m crazy to even think about doing this, and yet…how often do you get to create your first print book? Sitting here, calmly typing about my options, I know I’d hate myself if I gave this project anything less than my best, and fudging the graphics would definitely be a cop out. So…I’m going to be a busy girl. πŸ™‚

cheers

Meeks


“A rose by any other name” could be a tur…nip

In my previous post – Miira, a sneak peek – I proudly displayed the cover I’d created for the first book of the print version of Innerscape. There would be three books in all – a proper trilogy – and the five, original episodes would be split between them:

  • Book 1 = Innerscape, Episodes 1 and 2,
  • Book 2 = Innerscape, Episodes 3 and 4,
  • Book 3 = Innerscape, Episode 5

As Episodes 1 and 2 focused mainly on Miira, I decided to call book one ‘Miira’, with a sub-title along the lines of:

  • book 1 of Innerscape, or
  • episodes 1 and 2 of Innerscape

And because it all seemed perfectly clear to me – how could it not when I’d been thinking about little else for weeks? – I assumed that it would be clear to everyone else as well. Dawn’s comment on the post brought me back to earth with an almighty crash. She asked:

is this going to be a reprint / new imprint / new version of Innerscape….or fresh and new Miira ?!!

That was the moment I realised how ripe for confusion my airy ideas for the print version had become.

A few seconds later, I realised something much, much worse – with brand new covers and a new name for each book, confusion would be the least of my worries. ‘Scam’ and ‘con’ would be more like it. The last thing I want is for anyone to buy Innerscape twice, but if someone who’s read Innerscape and knows me personally – like Dawn – can ask if this was something new, then how could I expect a complete stranger not to ask the same question…and be angry at the answer?

I’ll be honest, I didn’t sleep very well last night. I desperately want to hold a real live book in my hands, and I really like the design concept I came up with for the print version trilogy, but my original decision to publish Innerscape as a serial has finally come back to bite me on the bum. If I upgrade the ebooks to mirror the print version, readers can rightly accuse me of making a greedy grab for more money. Yet, even if I leave the ebooks exactly as they are, having such a different looking print version will still cause confusion.

Then, I had a thought. Amazon allows you to bundle print and ebook versions together! If I did that, maybe it wouldn’t matter…

Ah, but which ebook episode would I bundle? And would Amazon even allow it when the print and ebook versions aren’t exactly the same?

It was around my third cup of coffee this morning that I had a better thought, at least I hope it is. What if I leave the ebook episodes as they are and simply create one, single omnibus edition of the whole story? As an ebook, it won’t matter that Innerscape is huge, and so long as it’s clearly labelled as an ‘omnibus’ edition, there should be no confusion…

Or would an omnibus ebook simply add to the existing confusion?

I seriously don’t know any more. I really, really need some feedback on this one. And please don’t hold back out of kindness. If I get this wrong, complete strangers are going to be much less diplomatic than any of you. 😦

-sigh-

Meeks

 

 


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