Remember when Miira was inducted into Innerscape and basically lost her whole skull so Kenneth Wu’s nano interface could connect the AI to her brain? Not quite there yet but…this article shows that it’s coming. And I actually forecast it…
Okay, okay, probably not that hard to do if you read sci-fi, but I’m still proud as punch.
I was just about to toddle off to bed when I received an email from Sally Cronin of Smorgasbord Cafe and Bookstore, saying she’d posted an excerpt from The Godsend on her blog. -dance- And, she’s included Diana Peach’s fabulous review as well. As you can imagine, I’m thrilled.
The excerpt is a short bit about Kenneth, my broken hero. Hope you like it.
Just a quick post to let you know that I’ve changed my book page. Instead of listing links to my books on non-Amazon sites, I’ve simply provided links to those books which are free for download as epubs [suitable for Kobo etc].
As before, the free books are available via the sync.com site and no registration or sign-in is required. Click the ‘Free Books by acflory’ tab at the top of this page to access the links.
I currently have two ebooks available for free download:
Miira, book 1 of Innerscape
The Vintage Egg
Please feel free to download both of them.
Okay, that’s it. I’ve done my admin., vacuumed and mopped all the floors, washed and disinfected surfaces, soothes disgruntled cats and generally been very productive…now it’s time for play!
Back in January, many of my Aussie writer friends joined together to produce an anthology of short stories and poetry, with the proceeds going to bushfire relief. I didn’t join in because I’m not very good at short stories, but I’ve wanted to do something ever since. And now there’s this damn virus…
Anyway, to do my bit, I’ve poured all three books of Innerscape into one omnibus, and I’m going to be offering the omnibus for a limited time – basically the 90 days Amazon requires in order to give readers 5 free days. After the 5 free days are done, the omnibus will revert to 0.99 cents. I wish I could offer the whole 90 days for free, but Amazon won’t let me.
So…I’ve done the formatting and the omnibus is ready to go, but I need to settle on a cover. These are the three I knocked up yesterday:
I quite like this one as the white squares can be either shoji screens or the ‘catacombs’, both of which feature in the story. But…the image will only have meaning for those who have already read the whole story. I fear that it will do nothing for potential new readers.
This is the one I prefer, aesthetically, plus it’s more consistent with the individual covers, but will the contrast between the ideal beach and the circuitry intrigue readers enough to give the story a go? No idea.
Okay, this is the one I like the least, but it may well be the one that most closely fits the scifi/thriller genre of the story. As my Indies Unlimited buddy, Lynne Cantwell wrote in her post about covers:
‘My cover was terrible. Oh, it’s pretty enough. But I’d been marketing the book as urban fantasy, and the cover screamed women’s fiction. The image was all wrong. The font was all wrong. Even the title was all wrong. There was nothing there to entice a reader of urban fantasy to click through and buy my book.’
I know my covers are never going to match either genre exactly because the typical sci-fi cover has stars and space ships, while many thrillers include images of weapons. Still, I’d like the cover of the omnibus to convey something of the two genres, and the simple circuit board of version 3 may just be it.
I would really love your feedback on the three versions, or if none of them appeal, suggestions as to how I could make the look and feel of the cover better.
This is the third video adapted from Miira, i.e. book 1 of Innerscape.
Chronologically, this video should have come before the Battle of Osaka Castle, but my subconscious has a mind of its own. 🙂
How many more videos I do for book 1 will depend on how well the pre-made backgrounds [in Plotagon] lend themselves to scenes in the book. I’m learning more and more with each video, but Plotagon does have limitations, and scenes that require ‘action’ are almost impossible to do. Still having fun though.
I am working on another how-to post, really, but all work and no play isn’t healthy so…. tah dah 🙂
This one’s a little out of sequence, but those who’ve read The Godsend may recognize the scene it was adapted from. The core thing I’ve learned since experimenting with this kind of visual storytelling is that you can never reproduce a scene exactly. 🙂
I now have so much more sympathy for movie boffins who adapt much loved books to the visual medium!
I did start the account creation process with Google [so I could upload my videos to Youtube], but when I was asked to verify both my email address and my phone, I started to get goosebumps, and not in a good way. This is a small part of Google’s privacy [sic] statement:
It was about this point that my survival instincts kicked in again and I aborted the process, or at least I tried to. I very much fear that my phone number is forever in Google’s possession. Given that it’s an Android phone I’m very glad I have GPS turned off. 😦
Anyway, with Youtube no longer an option, I went looking for alternatives and discovered that WordPress.com allows Vimeo videos! Yay and double yay. 🙂
So here is my rather ambitious Plotagon video entitled ‘Prepare for Induction’:
I haven’t seen The Irishman, but the video detailing how it was made has me absolutely enthralled. Watch, and see for yourself:
Cool tech, right? But it’s not just the tech that has me jiggling up and down in my chair. It’s the fact that another piece of Innerscape is becoming a reality! -dance-
If you read book 1 of the Innerscape trilogy, you may remember the scene, early in the story, in which Miira finally gets to see the ‘avatar’ she will use once she has been inducted into Innerscape. That avatar is based on her 29 year old self. In other words, her avatar has to be ‘de-aged’.
To make the story work, the Innerscape AI had to be sophisticated enough to create avatars so real looking that none of the Residents can tell the difference. That was one of the key pieces of tech in the story, and now I know that it’s possible, actually possible.