Tag Archives: Innerscape

Miira cover – in 3D

Just finished the Miira cover, version nth [honestly? I’ve lost track], so I thought I’d celebrate by playing around with a 3D version. I think it turned out okay. ๐Ÿ™‚

The new blurb for the back is:

In 2101, the average person can expect to reach one hundred and ten. Miira Tahn, last Lady of Dhurai, is dying at just fifty-two. Faced with a slow, agonizing death, her only hope is a virtual paradise called Innerscape. There, the Residents inhabit beautiful, digital bodies indistinguishable from the real thing.

Or so the brochures say. But even Eden had a snake, and once inducted, the Residents of Innerscape can never return to the real world. If anything goes wrong, they will be lost in the dark forever.

Yet for Miira Tahn, even a tenuous hope is better than the fate that awaits her.

‘…sometimes you just have to close your eyes and jump…’

And finally, underneath the blurb will be this:

โ€˜Miiraโ€™ is the first book of the Innerscape cyle and corresponds to Episode 1 of the original series.

After way too much angst, I finally decided to bite the bullet and redo the ebooks as well. Once I’m finished, both print and digital versions will comprise just three books:

  • Miira, book 1 = Episode 1 of Innerscape
  • The Godsend, book 2 = Episodes 2 and 3 of Innerscape, and
  • Nabatea, book 3 = Episodes 4 and 5 of Innerscape.

It’s not an ideal solution, but it’s the only one I can think of that will translate a five-part serial into three, organic story arcs. And as an added bonus, the new splits will allow me to make book 1 permafree…once I persuade Amazon that it’s necessary.

But those are long range plans. For now I’d just like to thank everyone who commented on version 1 of the covers. You’ll never know how valuable your feedback was. Massive hugs all round! Now I’m off to make a pretty toy out of books 2 and 3. ๐Ÿ˜€

love

Meeks

 


Nabatea – Innerscape book 3 cover

Still heaps of work to do, but I’m kind of pleased how this last cover turned out. Again, it’s still a mockup but I’d appreciate some feedback. Too bold? Too hard to see? Too something else??

I really need fresh eyes so please tell me if you notice something wrong. I also need to know whether the three covers provide enough visual continuity to make it obvious this is a series?

In particular, should I change no.1 to be more like 2 and 3 in terms of the circuit board wires and size of title?

Thanks ๐Ÿ™‚

Meeks

p.s. no.2 will actually be darker in the finished version.


The Godsend – Innerscape, book 2 cover

Just a quick update to show you what I’ve been obsessing about while I should have been writing blog posts. ๐Ÿ™‚

This is just a mockup as the ‘spine’ will be wider in the final – I haven’t worked out the total pages in book 2 yet but it will be a lot wider than the one for book 1.

Okay, that’s it. No comments on this one.

cheers

Meeks


Corel Draw X8 – Miira cover final

I thought that X8 would be X6 with a slightly different interface, but it does actually have some nice features that I wasn’t expecting – like links to some very sophisticated fountain fills and a much improved transparency feature. Those features may have influenced the rather radical changes I’ve made to the cover of the first book:

Unfortunately, the image doesn’t quite show the depth of colour in the cover as the CMYK black has come through as a rather washed out charcoal in RGB [for web display]. Once the cover is printed it will be much sharper and the silvers will ‘pop’ more…I hope. Anyway, I’ll probably fiddle with the balance a bit longer, especially if you guys point out things I’m too blind to see, but this is basically the front and back cover spread that will go to Createspace for the print version.

One of the hardest things to figure out was what to put on the spine. Once I’d worked out the total number of pages for Miira, including copyright, Afterword, etc., I plugged the number into Createspace’s calculator, and it spat out the exact size the spine must be. Unfortunately, as the first book is quite ‘slim’ there’s not that much real-estate to work with.

I experimented with a number of fonts, but none gave me the crisp look I was after. And then, as I looked at the circuit board, I suddenly realised that I had all the components from which to make my own ‘font’, one that would mimic the wiring of the circuit board. Thank goodness, the end result didn’t turn out to be too kitsch. The new look circuit board also gave me the pattern for the back cover blurb. Making the text fit, however, was another exercise in patience.

And finally, a word about the new background photo. I was all set to use the bush sunset photo I’ve shown you before when I found a pic I’d taken ages ago of my own backyard:

 

I was trying to capture the amazing play of light through the trees and fluked it. The shot is nowhere near perfect, and I haven’t touched it up in any way – I don’t know how – but I instantly knew it would give me the feel I’d been searching for. Pretty happy with the result but annoyed at myself for wasting time and money on the bush sunset pic. Ah well…

I promise to do a how-to post about the Createspace calculator as soon as my eyes uncross. ๐Ÿ™‚

cheers

Meeks

 


#Corel X8 vector graphics vs photos

In my last post about the new Innerscape cover, I vented about the trouble I was having getting the silver effect I wanted. Your suggestions were brilliant so I thought I’d do a quick update of my progress. The pic below is a test graphic to illustrate the difference between the two methods and how they might look in the finished product:

The silver ‘wire’ was created using Corel X8’s fountain fill. It is clearly silver, even when I reduce the size down, i.e. it scales well. Unfortunately it is absolutely uniform, something a real ‘wire’ would never be.

By contrast, the gold ‘wire’ is a photo taken of a thin needle shape covered in foil. The foil was silver, but the lighting created this decidedly golden effect [evening, overhead light and table lamp, both with bulbs of ‘warm white’]. I only know this with the wisdom of hindsight. ๐Ÿ˜ฆ If you look closely at the column on the right, you will see that when I increase the size of the gold wire, it becomes more and more pixelated, i.e. it doesn’t scale well. [Clicking on the image should display a larger version]

Finally, I created two, identical slices of the circuit board. Both were made by creating the individual components and ‘grouping’ them together. The silver, vectored one is shown below:

Although each of the tubular components comes from the one, basic shape, I fiddled with the fountain fill to a) make the image more realistic, and b) to reduce the uniformity. The golden slice is also made up of individual components, but essentially I just cut them out and stuck them together. I really like the way the image turned out, and I like the golden colour, but it’s not what I was after.

Which will I use?

This question is not as either/or as it looks. In designing the covers for the Innerscape print version, I wanted each one to:

  • have a unifying ‘theme’
  • be different
  • tell a subtle visual ‘story’

Thus, as book 1 is about Miira leaving the real world and entering a virtual one, I want her facing towards the stark, artificial image of the circuit board. That’s why the image has to be instantly recognizable as part of a computer. Books 2 and 3, however, will show a gradual blurring of the lines between real and virtual, with the changing circuit board being the unifying ‘theme’ that binds each image of the series.

At least, that’s the idea. Whether I can actually pull off this ambitious idea is moot. To make it work I’ll have to create two, completely different images of the circuit board – one with the silver wires and one with the gold. As each small wire will be made up of at least 3 components, it’s going to be a huge job. Not impossible, but it will test my patience as the original circuit board image has very few wires that are exactly the same.

To be honest I think I’m crazy to even think about doing this, and yet…how often do you get to create your first print book? Sitting here, calmly typing about my options, I know I’d hate myself if I gave this project anything less than my best, and fudging the graphics would definitely be a cop out. So…I’m going to be a busy girl. ๐Ÿ™‚

cheers

Meeks


“A rose by any other name” could be a tur…nip

In my previous post – Miira, a sneak peek – I proudly displayed the cover I’d created for the first book of the print version of Innerscape. There would be three books in all – a proper trilogy – and the five, original episodes would be split between them:

  • Book 1 = Innerscape, Episodes 1 and 2,
  • Book 2 = Innerscape, Episodes 3 and 4,
  • Book 3 = Innerscape, Episode 5

As Episodes 1 and 2 focused mainly on Miira, I decided to call book one ‘Miira’, with a sub-title along the lines of:

  • book 1 of Innerscape, or
  • episodes 1 and 2 of Innerscape

And because it all seemed perfectly clear to me – how could it not when I’d been thinking about little else for weeks? – I assumed that it would be clear to everyone else as well. Dawn’s comment on the post brought me back to earth with an almighty crash. She asked:

is this going to be a reprint / new imprint / new version of Innerscapeโ€ฆ.or fresh and new Miira ?!!

That was the moment I realised how ripe for confusion my airy ideas for the print version had become.

A few seconds later, I realised something much, much worse – with brand new covers and a new name for each book, confusion would be the least of my worries. ‘Scam’ and ‘con’ would be more like it. The last thing I want is for anyone to buy Innerscape twice, but if someone who’s read Innerscape and knows me personally – like Dawn – can ask if this was something new, then how could I expect a complete stranger not to ask the same question…and be angry at the answer?

I’ll be honest, I didn’t sleep very well last night. I desperately want to hold a real live book in my hands, and I really like the design concept I came up with for the print version trilogy, but my original decision to publish Innerscape as a serial has finally come back to bite me on the bum. If I upgrade the ebooks to mirror the print version, readers can rightly accuse me of making a greedy grab for more money. Yet, even if I leave the ebooks exactly as they are, having such a different looking print version will still cause confusion.

Then, I had a thought. Amazon allows you to bundle print and ebook versions together! If I did that, maybe it wouldn’t matter…

Ah, but which ebook episode would I bundle? And would Amazon even allow it when the print and ebook versions aren’t exactly the same?

It was around my third cup of coffee this morning that I had a better thought, at least I hope it is. What if I leave the ebook episodes as they are and simply create one, single omnibus edition of the whole story? As an ebook, it won’t matter that Innerscape is huge, and so long as it’s clearly labelled as an ‘omnibus’ edition, there should be no confusion…

Or would an omnibus ebook simply add to the existing confusion?

I seriously don’t know any more. I really, really need some feedback on this one. And please don’t hold back out of kindness. If I get this wrong, complete strangers are going to be much less diplomatic than any of you. ๐Ÿ˜ฆ

-sigh-

Meeks

 

 


Pod accommodation – in India

I first read about capsule accommodation in the 1970s when the first one opened in Japan. The amenities were pretty basic and that memory informed the creation of ‘short term transit pods’ in Innerscape. But time moves on, and the humble, claustrophobic pod has become high tech, finding takers in some of the world’s largest, and not so large, cities.

If you follow the link below it will take you to an article about the new pod hostel that opened in Mumbai, India. The photos look quite amazing with push button everything:

https://scroll.in/magazine/834487/a-night-at-indias-first-capsule-hotel-shows-that-mumbais-space-crunch-is-now-a-hospitality-fad

The article also gives a nod to the ‘Tiny Homes’ movement which I’ve featured before. And just in case you thought this could not happen in your city, think again. Pod hostels have now sprung up in China, Iceland and…ta dah…Australia, amongst others. You can find some interesting titbits in the video clip right at the end of the article.

I’m still not sure if I’d be able to lock myself in and sleep in a pod, but I’d love to try one on for size…just for fun. Then, I’d traipse off to a nice big hotel room and thank my stars I can afford it. ๐Ÿ™‚

cheers

Meeks

 


My first purchases from iStock :)

I can’t tell you what I’ve been working on just yet, but I will show you some photos I just bought from iStock:

I was looking for a visual image of Nabatea when I found this first one on iStock. It’s a lovely image and only cost $36 AUD, but then I also found this one:

This is a painting of an oasis and nowhere near as beautiful as the previous, photographic image, but it does have a ‘waterhole’…and it’s no more real than Miira’s Nabatea.

As most of you have already guessed, I’m struggling with a cover for Innerscape. Here are two more images that I’m pondering, both created by The Offspring :

and…

I’m still a very long way from being happy with any of my preliminary concepts so I’ve turned comments off for this post. Tomorrow I hope to begin a new technical series on how to prepare a manuscript for Createspace. It’ll be full of the things I learned while making every mistake under the sun, so stay tuned. ๐Ÿ™‚

cheers

Meeks


Coal to Newcastle or #robots to #China UPDATE 18/4/2017

I was going to post a recipe for plum cake, but then I found this video clip on Quartz. What can I say? I like robots. ๐Ÿ™‚

So, this from China:

And this from…?

But I saved the best till last – the Teslasuit. It’s a full body haptic suit. For gamers to wear in conjunction with a VR headset.

The Teslasuit doesn’t exist…yet…but there’s a Kickstarter campaign to turn it into reality.ย 

Apologies, I was wrong – the Teslasuit does already exist and it’s being enhanced by its developers. This is what the still image looks like:

And these are two video clips that show it actually working:

There is also another video clip but you need Flash to play it and I don’t use Flash anymore. But for those that do, here it is:

http://www.bbc.com/specialfeatures/horizonsbusiness/seriessix/sharper-senses/?vid=p03xnpch

And finally, you can go to the website for even more information :

https://teslasuit.io/#intro

I am seriously excited!

Meeks


-blush- ‘teledildonics’…

You should consider this a tech post with an R rating. You’ve been warned.

haptic-glove-2

http://fab.cba.mit.edu/classes/863.11/people/daniel.rosenberg/pf.html

Right. This really is a case of sci-fi made obsolete by reality. The image you’re looking at shows a pair of ‘haptic’ gloves at work. They allow the wearer to manipulate elements of a digital environment directly – i.e. no need for a mouse or keyboard or game controller. Essentially, sensors in the glove translate real world movement and pressure into digital movement and pressure.

I knew about these haptic gloves because I’m a gamer, and I like to think about new technologies that make gaming more fun. Not surprisingly then, my sci-fi story, Innerscape, contains many existing technologies, extrapolated into their possible future equivalents. One example is the evolution of the haptic glove into the full body gaming suit. But even modern day technology can be used in all sorts of ways. Most people see web cams and Skype as a useful tool for teleconferencing, or to allow friends to see each other and talk in real time. To the porn industry, however, the same technology is a great way to deliver a lucrative product.

Online porn is not something I know a great deal about, but it’s not something I can ignore, either. I do a lot of research online, and anything of a sexual nature can be bring up unexpected results – e.g., when I researched hermaphrodites for Vokhtah. I quickly learned to phrase my queries with great care, and that awareness informed my prediction that the porn industry would spear-head the development of immersive reality in Innerscape. Yes, I know, pun intended…

Despite this rather pragmatic view of the world, however, I had no idea that a real world company was already selling a primitive version of the immersive porn of my imagined future. What’s even worse, I had no idea that this real world company bears the same name [more or less] as a company I dreamed up for Innerscape.

[SPOILER: Leon lets the Woman in Red into his apartment when he sees that she’s delivering his brand new, top of the range, Real Touch gaming suit.]

The real world company already making haptic devices for the porn industry is called Realtouch Interactive.

I swear I am not making this up. I didn’t know about Realtouch Interactive until just now when I read about the latest developments in ‘haptic gloves’ on New Atlas. Imagine my surprise when the same article included a link to…’teledildonics’.

The link to that article is here:

http://newatlas.com/flex-n-feel-glove-long-distance-relationships/47900/?utm_source=Gizmag+Subscribers&utm_campaign=f1f477b260-UA-2235360-4&utm_medium=email&utm_term=0_65b67362bd-f1f477b260-92416841

You can find the link to ‘teledildonics’ yourselves. If you so wish. -cough-

Be warned though, in the article, a male writer test drives the ‘device’, and although the descriptions are not super graphic, they don’t leave too much to the imagination. Included in the article is information about how the company created its own tech in order to sync sight, sound and data. Just as I predicted!

I suppose this is the point at which I should explain why data has to be synced along with sight and sound. The haptic ‘device’ is hooked up to the computer via USB at the user’s end. At the ‘cam girl’ end, a slightly different device allows the professional lady to control the sensations sent to the user’s device. Thus, audio, video and the transfer of this haptic data has to occur at the same time or the effect is ruined.

Long term, however, this very same technology will drive something else I wrote about in Innerscape – teleoperations. This is where the surgeon and the patient are separated by long distances, but the surgeon can still operate via a robotic surgical tool.

I don’t know about you, but I’m feeling kind of shell-shocked. None of this technology was meant to happen for decades, yet here it is in 2017. Clearly, the tech will be enhanced and improved enormously in the coming years, but I still feel rather ambivalent about the whole thing. Yes, it’s nice to predict the tech of the future, but it’s not so nice to get the timing so very wrong. Oh well…back to work.

cheers

Meeks

 

 

 


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