Tag Archives: Indie

Augmented Reality [AR] game set in Melbourne

As a gamer and denizen of Melbourne [Australia], how could I resist this New Atlas article about an AR game set in the city I love?

‘The game is the first in the True Crime Mysteries series by indie studio 10Tickles, helmed by husband-and-wife team Andy Yong and Emma Ramsay. The couple are both fascinated by true crime, history and the city of Melbourne itself, and so set out to build an augmented reality experience that tapped into all three.’

You can read the entire article by clicking the link below:

https://newatlas.com/games/true-crime-augmented-reality-game-misadventure-little-lon/

cheers

Meeks


Music for the Acolyte

Music has always been a vital part of my writing because it speaks directly to the emotional and creative side of my brain. In a very real sense, it puts the logical side to ‘sleep’. For me, that is a necessity because technical writing comes so much easier.

But finding the right music for the right story has never been easy. Until today.

I give you, ‘The Journey of a Scarecrow’, by Indie composer – Jean-Gabriel Raynaud:

The instant the Scarecrow track began to play [on Soundcloud], I knew precisely who it was for. The quirky playfulness screamed ‘Acolyte’!

Who? What?

For those few brave souls who read my scifi/fantasy novel, ‘Vokhtah’, you may remember the small iVokh who worked for the Healers in Needlepoint. The Scarecrow is its signature song.

For everyone else, here’s a short excerpt from the book that introduces the reader to the Acolyte:

The Female was fast asleep when the steady drip, drip of the timepiece was joined by the scrape of wood across sand.

It was a small sound, as was the gap that appeared between the edge of the door and its frame. The gap was just wide enough to admit two twiggy fingers tipped with blunted claws. The fingers strained at the wood to no avail.

A dull thump sounded from the other side of the door as something heavy hit the sand. Two more fingers appeared and four blunted claws dug into the wood as the fingers jerked at the door. Each jerk widened the gap a little further until persistence finally triumphed, and the opening became wide enough for a small black face to appear.

Everything about that face was small, except for the eyes, which glowed huge and golden in the soft, blue light of the chamber’s single glow-worm.

After darting a timid glance from left to right, the face disappeared only to be replaced a moment later by a small black rump. Over-sized, jet black wings swept the sand as the hunched shape of the small iVokh backed into the chamber, dragging a sloshing leather bota. The water sack was almost as tall as the iVokh itself.

Diminutive by any standard, the healers’ acolyte looked more like an iVokhti than a fully-grown iVokh. In fact, the only parts of its anatomy close to normal size were its wings, and they seemed far too large for its small frame.

The Acolyte’s lack of stature was accompanied by a corresponding lack of strength. The Junior mocked its weakness at every opportunity, but the young iVokh prided itself on never failing in its duty. Clever and resourceful, it compensated for the weakness of its body by using the power of its wings. Only rarely did it have to rely on brute strength as it did now.

Bent over the bota, struggling to regain its breath, it stiffened as derisive hoots sounded from the outer cavern.

The Acolyte’s hide took on a hot, yellowish tinge. It did not like being closed in with the female, but it liked listening to the Junior’s oh-so-witty barbs even less. Pulling itself upright with a jerk, it grabbed the leather handle of the door with both hands and pulled. Embarrassment was a powerful motivator, and the door closed quickly.

The Acolyte features in Book 3 of The Suns of Vokhtah. Unfortunately, I’m still on book 2. That means I mustn’t allow myself to listen to this new music until I’m ready to write the Acolyte’s story… -cries quietly-

I hate these games I have to play with my subconscious, but my muse is temperamental at the best of times. At least now, I have a lot to look forward to.

Anyone else play games with their muse?

Meeks


Indie Book Month — Promote Your Books

I met a lot of my closest online friends via books. I’ve also read a lot of wonderful books through my friends. Here’s hoping that Charles French’s generous initiative helps us all find new books, and new friends. 🙂

 

via Indie Book Month — Promote Your Books


A naughty weekend in Warrandyte

No! Not that kind of weekend…;) This kind of weekend:

The lighting effects are truly glorious in Elder Scrolls Online, and they inspired me to create classically inspired interiors for my in-game house. That involved finding recipes, gathering ingredients and finally crafting beautiful items like:

…the goblets and knick knacks you can see displayed on that shelving.

I also splurged and bought a very expensive recipe for a glass goblet and some ‘food’. In this last screenshot, you can see my wedge of cheese, the bread platter, and some kebabs. Dinner chez moi. 🙂

I loved the player housing in Final Fantasy XIV, but the housing and control in ESO are an order of magnitude better. Harder to master, but I think the effects speak for themselves. And yes, I did spend a lot of time playing this weekend. But I also spent a lot of time, and most of my energy mowing. I literally did not have enough oomph left over to write. Today, though, I will make up for lost time.

cheers

Meeks

 

 


Yes! New music for writing

Nano took a back seat this morning as I’ve been searching for the ‘right’, writing music. I listened to new music by old favourites, but nothing really matched how I feel about this new story. So in desperation I went to SoundCloud and there, thanks to SoundClouds great recommendation engine, I found…

Jon Altino

This is the playlist I just put together. It’s a bit rough as I just grabbed songs as I heard them, but the very first one – A World Asleep – is glorious and should give you some idea of the kind of music I need this year.

Jon Altino? If you’re reading this, I wanted to buy the album, but iTunes only offered Superhero. Please, please put a new album up there!

Well, time to put this lovely music to the test and fire up StoryBox.  I have this feeling P7698 is going to flow a whole lot better today than yesterday.

cheers

Meeks


How-to guide is now free!

Good morning all. 🙂 It’s 6:57am here in lovely Melbourne, and I just realised I forgot to post about the freebie here on WordPress. So….

‘How to Print your Novel with Kindle Direct Publishing’ is now free on Amazon:

https://preview.tinyurl.com/y8fl4bks

The promotion ends at midnight US time and about 5pm-ish Australian time.

For those who have never tried any of my how-to’s, all my guides are pitched at the true beginner and include step-by-step instructions, with examples for the ‘why?’ and pictures for the ‘how?’.

If this appeals to you, please download the ebook version while it’s free. This ebook can be read on Kindle Fire tablets or on the free Kindle reading app for tablets, pc, mac and phone.

cheers

Meeks


Barcodes for Indie Authors – updated June 6, 2018

I’m assuming that any Indies reading this post will have gone through the same frustrations that I did, so I’ll jump straight into the how-to part of the post. Once that’s done, I’ll talk about barcodes in general and discuss why you might want one. Let’s do it!

There are only TWO things you need to create your own, free barcode:

  1. an ISBN for your book
  2. a free online barcode generator

In Canada you can get an ISBN for free. In the US and Australia, you can buy an ISBN from a company called Bowker. The web address for the Australian company is:

https://www.myidentifiers.com.au/

If you want to know where to buy an ISBN for your own country, go to the website of the International ISBN Agency:

https://www.isbn-international.org/agencies

You should be looking at a screen like this:

Click the small down arrow [circled in red] to display a drop down list of countries. Scroll down to your country and click it. You should now see a detailed contact screen for the ISBN agency in your country. In the example shown below, I clicked on ‘United Kingdom and Ireland’:

Once you have your ISBN, you can go to the following website to use the free, barcode generator [you do not have to register first]:

https://www.bookow.com/index.php

On the Home page, select ‘Free ISBN-13 Bookland Barcode Generator’ as shown below:

You should now be looking at a page like this:

  1. From the top of the page, type in your 13 digit ISBN, including the hyphens [or cut and paste it in].
  2. Next, type 90000 in the Price textbox. This ensures that the scanner checks the bookshop’s own database for pricing.
  3. Type your email address, twice.
  4. Click inside the ‘Consent to email’ checkbox.
  5. Leave the DPI at the default [300].
  6. Now you have a choice of getting the barcode as a PDF file or as a PNG file. I find the PNG file easier to work with but the choice is yours. Either way you’ll end up with a picture of the barcode that’s been generated from your ISBN.
  7. Save the barcode to your computer.
  8. Insert the barcode into the back page of your book cover graphic.

Done. 🙂

Now for some of the explanatory stuff. Firstly, there are basically two kinds of barcodes [gross over simplification but work with me]. The first is for ‘things’ such as soap, toothpaste, butter etc. To get barcodes for these products, you have to register with GS1. This process is quite involved, but luckily it does not apply to books. 🙂

Books are covered by a completely different barcode that requires only an ISBN and a second, smaller code that simply tells the bookshop scanner where to look for the pricing information. If you want to get technical about it, this is a Bookland EAN-13 + 5-digit add-on type barcode. The one I created for my print book of Vokhtah looks like this:

The ISBN is displayed [in writing] twice, once at the top and once at the bottom. The 90000 barcode is added to the right of the main barcode.

Now, why would you need a barcode?

If you are using Print-On-Demand [POD] via CreateSpace or Amazon KDP, you will not have to worry about a barcode at all. If you get a free ISBN from either company, they will automatically generate a barcode from that ISBN and insert it into the cover for you. If you use your own, private ISBN, CreateSpace and Amazon KDP will also generate a barcode and insert it into the cover for you. But. Not all POD printers provide free ISBNs or barcodes, so if your chosen printer says you have to provide your own barcode, you now know how to do it…for FREE! Well, except for the ISBN but you have to pay for that anyway.  🙂

cheers

Meeks

 


Intellectual Property – an Indie minefield

I am in no danger of having my intellectual property [IP] diddled away by some corporation waving a contract, but Kristine Kathryn Rusch* is, and her latest post was scary to say the least. Here’s a short quote:

‘Those companies can all acquire IP from stupid writers for less than $10,000 per property forever. Just say the word “movie” or “TV” and most stupid writers give away their IP for free, in the hopes of having a movie or TV show made from their property. The property they no longer own, by the way.’

But the most terrifying part was this:

It doesn’t matter if your copyright is registered, the expert said. They’ll register anyway, even before they’ve started production on anything. The strategy is to create confusion over who owns the copyright, and it’ll take litigation to straighten that confusion out.

The bold emphasis is mine but the meaning is clear – one small Indie hasn’t a hope of fighting a company with millions of dollars in its war chest. Can you afford to take a production company to court to get your intellectual property back?

“Oh but if I’m being paid for it then it doesn’t matter.”

Yeah, that’s the big ‘if’, but sadly those contracts make sure you get little if anything in return.

I really, truly, strongly suggest you read the Rusch article, just in case….

http://kriswrites.com/2017/10/25/business-musings-stealing-intellectual-property/

I’ll confess, part of my outrage stems from the fact that I have day dreams too. I would love to see the Innerscape story turned into a movie or a big, beautiful game. I understand the desperation to have that kind of validation, because I share it. If someone came knocking, waving a contract in my face, I know I’d have stars in my eyes and the k-ching of cash registers in my ears too. But after this warning, I hope I remember that the one thing worse than never finding fame and fortune is being cheated out of it…by a corporate with lots of money and no scruples.

Seriously, if you’re an Indie author, please read the Rusch article.

Meeks

*Kristine Kathryn Rusch is a Hugo award winning writer with her own wiki page: https://en.wikipedia.org/wiki/Kristine_Kathryn_Rusch


They. Have. Arrived….

Not ten minutes ago, the doorbell rang, the animals scarpered, and I took possession of a small cardboard box with my name on it. I knew what it must be, but…it was almost a week early!

And there they were, the print proofs of the Innerscape books. Real at last:

Sorry for the poor quality of the pics. I took them with my mobile phone so you can’t see the rich deep colour or the way the light reflects off the gloss covers. What you can see, however, is that the Godsend cover didn’t work. This is a close-up:

The bit inside the red rectangle is the background image that’s meant to represent the Innerscape containment units. Instead of being a subtle hint, the image is as good as invisible. 😦

I know I’m not a professional cover designer, so I have to learn from my mistakes, but I feel as if I should have expected this one. You see in the print preview of the Godsend cover, the image did appear much darker than the image I was working on. But…I assumed it was just something to do with the print preview function. Wrong.

The Godsend cover won’t be hard to fix, but I’ll have to ‘guess’ at the finished product because I won’t be able to request a second proof [not because CreateSpace won’t allow it, but because the postage is so ridiculously expensive].

Another thing I’m going to have to guess at is the width of the Miira spine. For some reason, the actual spine is wider that the dimension I was working with in Corel. But this is both an annoying thing and a very, very good thing because I was worried ‘Miira’ would end up being ridiculously ‘thin’. Instead, it looks and feels like a normal, albeit ‘slim’ book so I’m thrilled by that. I’m also thrilled by the back covers. They look great, they’re very readable and they are beautifully consistent throughout the three books. I’m giving myself a pat on the back for that. 🙂

The Offspring and I are going to celebrate tonight with a tender Rack of Lamb, roast potatoes and a salad of homegrown lettuce, followed by a movie. I hope your weekend starts as well as mine. 🙂

cheers

Meeks

 


State Zero – short, sci-fi movie – brilliant and Indie

I don’t like zombie movies, or horror movies in general, but I loved Alien when I first saw it at the movies.

Okay, stop sniggering, I was a lot younger then. Anyway, this Indie short reminded me of the very first Alien movie with a hint of Silent Hill because of the intelligent use of fear. Plus the graphics blend seamlessly with the live action. See for yourselves:

State Zero is top quality movie making at an Indie price.

Apparently DUST is a channel on youtube created to showcase short, Indie movies and I, for one, intend to see more of what’s available.

Happy Sunday,

Meeks


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