Tag Archives: fantasy

PowerPoint Master Class with D.Wallace Peach

For those who don’t know, Diana Wallace Peach is an immensely talented writer in the scifi/fantasy genre, but today we’re not talking books. Today we’re talking book trailers, and the graphical wizardry that Diana achieves with PowerPoint.

I have to tell you that despite knowing how to use Power Point as a presentation tool in business, I never knew it could be used to create something like this:

Part of the upcoming trailer for D.Wallace Peach’s new novel ‘The Necromancer’s Daughter’.

I wish I could show you the whole trailer, but that won’t be available until Diana’s new book launches in mid August. In the meantime, I’m going to share with you what Diana told me when I asked her how on earth she achieved such amazing effects.

Take it away, Diana. 😀

Hi Andrea, my techie friend. Thanks so much for having me over and asking about trailers and how I make mine. I’ll try to give enough information to get someone started.

I’m pretty clueless when it comes to technology, so I rely on my old business days, and I make my trailers using PowerPoint. Yep, just old-fashioned PowerPoint.

I learned by trial and error and just playing around with the program. It’s fairly intuitive, or I wouldn’t have been able to figure it out. I encourage lots of experimentation, and no one should stress – the undo button is our friend.

Finally, don’t try this if you’re facing a deadline. It’s not hard at all, but it is very time-consuming.

Now, to get started, here are ten basic steps:

  • Start with a blank slide, and “insert” a black rectangle that covers the whole thing.
  • Choose an image (or 2 or 3) that will work as your background and cover the black rectangle. Use copyright-free images, and stretch them to fit if necessary. Pixabay and Unsplash are great resources for free images. Or use your own! (Example 1)
Example 1
  • Insert the images that you’re going to blend into your final picture. I chose 4 of them for this tutorial, but for some of my slides, I might have many more. Before I can use them, I might need to remove the background. Note that when you double click on an image, a little box appears in your menu bar that says “Remove Background.” (Example 2)
Example 2
  • One at a time I remove the background from the images by marking areas to keep or remove. (Example 3)
Example 3
  • Then I’m going to layer the images, rotate them, resize them, and position them until I like how they look. (Example 4).
Example 4
  • To make them blend a little better, I right-click on each image and click on “Format Picture.” Here, there are loads of options from softening edges to adding a glow, shadow, or special effects. You can lighten, change contrast, or crop. You can also manipulate color. I softened the edges of these flowers a little, but for most of my composite slides for trailers, I do a lot of manipulation to make them blend into one scene. Just experiment until the slide looks right to you. (Example 5)
Example 5
  • Insert text and format it! (Example 6)
Example 6
  • Transition: Transition determines how your slides are going to transition from one to the next. Play with the “how” of the transition (fade or wipe, for example) and how many seconds you want it to take. Your whole slide will transition with all its images.
  • Animation: Animation is how to delay the appearance of some images once the transition is underway. Again, you get to play with the “how” and “how fast.” You can have images fade into view or fly in (for example). I will typically create all my slides and then add transitions and animations at the end. You can preview what you’ve done under “Review” and make a hundred adjustments (like I do) until you’re satisfied. (Example 7 – video)
  • Audio: You can add copyright-free music or add your own recording. For me, this means more fiddling with transitions and animations to make the slides line up with the music. Once you’re done you can export the entire trailer to an MP4 video. Easy Peasy! And Have Fun!

Easy Peasy she says! -grin- I don’t know about you, but I still think there’s a bit of magic in there somewhere. I also think that Diana is much more of a techie than she gives herself credit for, so…. I’m making her an Honorary Geek, complete with this lovely engraved award to put on her mantle piece:

If you want to know more about Diana’s work, in both words and graphics, pop into her blog at: https://mythsofthemirror.com/ where you’ll find a welcoming community of authors and readers. I know because I did. Or you can visit her Amazon Author page at: https://www.amazon.com/D-Wallace-Peach/e/B00CLKLXP8/ref=dp_byline_cont_pop_ebooks_1 to see all the fantastic novels she’s published.

As for me, I’m so revved up I can hardly wait to start playing around with PowerPoint again.

Have fun,
Meeks


The Princess of Shadow – a review

Quite by accident, I’ve discovered a new favourite author – Colin Alexander. The Princess of Shadow is the second book of his that I’ve read, and this one really hit the spot. Most definitely 5 stars. 🙂

My Amazon review won’t hit for a while, but this is what I wrote:

I prefer scifi to fantasy but ‘The Princess of Shadows’ left me gobsmacked at the depth and richness of the story. It literally has everything – medieval style politics and warfare, subtle social commentary, a nod to Queen Elizabeth the 1st, the so-called Virgin Queen, a nuanced perspective on human nature, characters that make you want to see what they do next, a fabulous plot and, last but not least, an intriguing world that’s like nothing I’ve come across before.

I suspect there’s a strong scifi element in the creation myths of this world that is yet to be revealed, and I can hardly wait to discover what it is.

In a nutshell, The Princess of Shadows has that something ‘more’ that I look for in every work of fiction. Much of the time, I’m disappointed. This time, I was gifted with much, much more than I expected.

Very highly recommended.

It’s New Year’s Eve morning here so I feel justified in wishing you all a very Happy New Year. 20 and 21 were pure shyte, but 22 may usher in a new beginning for us all.

cheers
Meeks


Salt – a review

Apologies for the cryptic title but the fantasy novel I just reviewed is called just that – salt. Much like Dune and Wool, Salt [the mineral] is the backbone of its world:

Salt (The Barbarians Book 1) by [E.J. Lowell, Nathan Lowell]

I gave Salt 5/5 stars, and this is the review I left for it on Amazon.com:

I stumbled onto Salt and fell in love.

The story alternates between two, very different protagonists – Tanan, the second son of the King, and Sukhetai, the first son of the Warchief of a powerful nomadic tribe.

Tanan is thoughtful and smart. Sukhetai is impulsive and quick to anger. They could not be any more different, yet right from the start, their destinies slowly intertwine, helped along by a couple of old women who speak to the grass.

One of the most interesting fantasy elements in the story is the idea of the Change, and that some women who have gone through the Change come into an earth-based kind of power. This power allows them to ‘ride the wind’ on the wings of their special bird-familiars, or to get a feel for things far away by listening to the grass. This special power gives women a stronger position in society than is normally the case in many fantasy settings.

Another thing that really impressed me was the authors’ courage in giving the characters names that are hard to pronounce. Some roll off the tongue while others make you stumble, yet the very otherness reinforces the fact that ‘we’re not in Kanvas any more’. I love that.

On a technical level the story is well-written and well edited. Quite frankly, it was a joy to read. Very highly recommended.

https://www.amazon.com/Salt-Barbarians-Book-J-Lowell-ebook/dp/B09C6PZS3J/ref=sr_1_3?keywords=Salt&qid=1638758411&s=digital-text&sr=1-3

I’d never heard of the authors; I just liked the look of the cover and the blurb so I thought I’d take a chance. Sometimes you really do get lucky. 🙂

Have a great day everyone and stay well.
Meeks


The Ferryman & the Sea Witch – a review

I just submitted this review on Amazon:

The Ferryman and the Sea Witch by [D. Wallace Peach]

The Merrow are creatures of the sea – sirens or mermaids if you will – but like humans, they like making bargains. Unlike humans, they believe in keeping them.

At the start of the story, it seems as if the Sea Witch, the ruler of the Merrow, is the villain of the piece. She struck a bargain with the Ferryman, and the two countries on either side of the ocean trench that is home to the Merrow. According to that bargain, she will allow the Ferryman to sail his ship across the trench safely, but only if he sacrifices a human life before each crossing.

Monstrous and cruel. There is no other way of looking at that bargain, yet the machinations of the two rulers on either side of the trench are just as monstrous and cruel. But they only keep their promises under duress. And they test the boundaries to see how much they can get away with.

Honestly, by the climax of the story you can’t help wondering who are the real monsters – the merrow or the humans.

Cast against this dark background are three and a half very likeable characters – Callum the Ferryman, Daylin his estranged wife, Airlee their daughter, and Grier, a bit of a rogue who kind of steals your heart even though he’s only the half character. I can’t say more without giving the story away, but I can say that it is extremely well written, fast paced yet quite beautiful, and the characters literally jump off the page at you.

From start to finish, ‘The Ferryman and the Sea Witch’ is a compelling read that will stay with you long after The End. A fantasy for the thinking woman, or man. Very highly recommended.

I’m sure no one will be surprised when I say I gave The Ferryman 5/5 stars. If you love rich, finely woven fantasy then you really must give the Ferryman a read. I promise you won’t be disappointed. 🙂

Available on Amazon: https://www.amazon.com/Ferryman-Sea-Witch-Wallace-Peach-ebook/dp/B095J5X8DW/ref=sr_1_1?dchild=1&keywords=The+Ferryman+and+the+Sea+Witch&qid=1624100413&sr=8-1

Oh, and in case anyone wonders, I provide the entire link so you can be sure of where you’re being sent before you get there. I know I’m paranoid, but with billions of passwords hacked recently, you really can’t be too careful.

Have a wonderful weekend,

-hugs-
Meeks


A flurry of reviews

I don’t write a lot of reviews, but every now and then, a cluster of books come along that have something about them that really appeals to me. This next lot cleaned out my TBR list and triggered my desperate plea for more reading material. 🙂

Reviews on Amazon

The first review is for ‘Allies and Spies‘, book 2 of the Unravelling the Veil series, by D. Wallace Peach :

5/5 No middle book sag here!

After falling in love with the first book of the series, Liars and Thieves, I was a little apprehensive about whether the second book could live up to the first. Second books are a bit like the ‘middle child’ of a family. You get all the surprises with the first one so what’s left for the second?

I needn’t have worried. 😀 Allies and Spies sees the story grow up and out, both in terms of the plot and the characters.

I really didn’t like Alue very much in Liars and Thieves, but she really comes into her own in book 2. I can’t tell you what she does, but she saves both Naj and Tallin from a very nasty death. More importantly, she does so by coming into her strength. She’s always been brave, but there’s a difference between physical courage and the courage needed to overcome your own shortcomings. Or even to recognize them. Yet that is precisely what all three of the main characters must do if they are ever to solve the mystery of the disappearances that have claimed so many lives.

That said, I have a secret fondness for tortured characters and in book 2, Naj suffers. That suffering serves to catapult him into a greater understanding of his world and himself, but that’s not much consolation on a personal level. I truly feel for Naj. 😦

And finally, Tallin. In many ways, Tallin the Changeling was my favourite right from the start. There’s something about his easy going nature that is very appealing. His alter ego Slick seems to encapsulate his personality perfectly – cute, cuddly, cunning, and naughty. But Tallin has demons of his own, and in book 2 he faces at least some of them.

I wish I could tell you about the plot, but if I do I’ll spoil it for everyone. Let’s just say that some things become clearer, but the forces behind the disappearances are still shrouded in impossibilities.

I can tell you about the writing though. Peach makes writing on multiple levels look easy. The prose is lyrical, the dialogue is always just right and the pace is perfect. No typos, no plot holes, no ‘what the?’ moments. Definitely no saggy middles! The story. Just. Flows. And takes us with it.

This series is character driven fantasy of the highest quality, and I recommend it to everyone, even those who don’t normally read fantasy. I’d give it 6 stars if I could.

The second review is for Tales from the Annexe, by Audrey Driscoll.

5/5 Dipping a toe into the world of Herbert West

I absolutely adored the Herbert West series and really enjoyed revisiting the world in which the series is set. Of the new stories, the one that will probably stick in my mind the longest, and give me nightmares, is The Ice Cream Truck from Hell. I will never think of Mr Whippy the same way again. lol

Beautifully written horror-ish short stories that all lovers of good writing will enjoy.

Review no. 3 is for ‘Serang‘, by C.S. Boyack.

5/5 Coming of Age in a time of chaos

Serang bears a slight similarity to the Karate Kid story, but only because the main character is young and learns martial arts. Beyond that, Serang is a lovely, unique story about a young girl who is given to the Temple to be raised by monks. These monks are both male and female, and there is no qualitative difference between them. All monks learn martial arts. Which style of martial art they learn depends upon their individual personalities – i.e. what suits each monk the best.

When the temple is destroyed, Serang is saved by one of the wandering monks who also survived the carnage. He continues Serang’s education in martial arts and living off the land. There are exciting fight scenes, but they are not the main focus of the story. Serang’s development and growth are the drivers, and I have to say that I loved the story from start to finish.

I would recommend Serang to anyone who loves reading about ‘becoming’ and the triumph of the human spirit.

And there you have it, three very different authors, genres and stories, but I enjoyed every single one.

Have a great Sunday [in Australia] or Saturday [everywhere else]!

cheers
Meeks


Recommend an Indie…PLEASE!

desperate-reader-in-need

I’ve reached a point in my writing where I’m stuck. It happens. So what do you do when your writing is stuck? You read, of course. But who in hell can afford $10 USD for an ebook?

I read 99.9% Indie only and noticed a price hike from $3.99 to around $5.99 USD a while ago, but suddenly this morning, I discovered that a great long list of Indie authors are pricing their books around the $10 mark. Given that I’d already bought most of their books at the ‘normal’ Indie price, I was shocked at the sudden leap.

After rejecting book after book because it was simply too expensive, I finally thought to look at the book details and…doh. Without fail, these previously Indie authors are now ‘published’ by a company.

Indie to traditionally published… I understand. No matter how much we may extol the virtues of being an Indie – creative freedom, product control, more money – a part of every author wants to be traditionally published. Why? Because of the validation.

We still think that traditional publishers are the doyens of good taste and literary value, the way they used to be before publishing became a big business like any other. Even those who know that’s not true succumb to the siren song of validation.

I get that. What makes me furious is that these publishers are reaping the benefits of ebook sales without having done any of the work. And it’s loyal readers like me who suffer because we cannot afford to spend that much money on ebooks. Or any books for that matter. Not when we often read two books a week.

I’m also angry at the fact that it’s the pandemic that’s brought about this price grab by publishers. They can’t get their ‘normal’ books out there because most bookshops and retail outlets are closed, so they hoover up ebooks that cost them next to nothing, and suddenly they have a cash flow again.

The third thing that makes me spitting mad is that these previously Indie authors who had it all – money coming in, fans by the thousand, control of their art and their future – have probably signed away their copyright for ‘life plus 70 years’.

What happens when this pandemic finally ends, and most of them become the equivalent of midlist authors? Will the publishing companies be grateful that these authors gave them a cashflow for next to nothing? Or will they consign them to publishing limbo as they did with a previous generation of midlist authors?

Okay, I tell a lie. I do not care what happens to these authors. I care about me and readers like me. So…having struck a heap of authors off my to-be-read list, I’m asking you guys for recommendations, but true Indies only, please!

I love scifi, first and foremost, then fantasy, then thrillers, and murder mysteries. Can you recommend a good Indie for me to read? Someone who doesn’t charge $10 for an ebook?

As a reader, I’m loyal, and if I like the author, I will read everything he or she has ever written. My Kindle is testament to that.

Thanks to recommendations and reviews by D.Wallace Peach and Indies Unlimited I have two Indie books to keep me going. They are:

  • Voyage of the Lanternfish, by C.S. Boyack
  • A Woman Misunderstood, by Melinda Clayton

I read one of Melinda Clayton’s book some time ago [psychological thriller ], and I read C.S. Boyack’s, ‘Serang’ just recently, so I know both writers are great value. But I need more, so please tell me about your favourite Indies in the comments.

Signed:

desperate-reader-in-need


Info dumps…and how to avoid them

I don’t usually pontificate about the writing process as I don’t feel qualified to do so, but as a sci-fi writer, avoiding info dumps is a daily hazard, so I thought I’d share.

But what is an info dump?

As the name suggests, info dumps are big lumps of explanatory text that refer to either the background of the story or the past of the characters.

When info dumps refer to the background of the story, they can include copious descriptions of the political, historical, biological, philosophical or cultural underpinings of the ‘world’. In contemporary stories, much of this world building can be taken for granted. We all know what a light switch is, or a four wheel drive [car], or a computer, so we can reference these known parts of the world without having to explain them. In science fiction and fantasy, however, everything in the world is new, so there is very little common ground between what the reader already knows and what exists in the make-believe world. As such, information about the world is a necessary part of the story. The question is…how much?

Something similar applies to background information about the characters. We need them to be well-rounded, three dimensional people, but real people have pasts. They don’t just appear in the world, ready made and raring to go. They have baggage, and that baggage has made them who they are at the start of the story. Yet as with the world building, how much do readers need to know, and how should they find out? Constant flashbacks can become very boring, very quickly.

Nevertheless, there is one person who absolutely must know every single detail, no matter how small, and that person is the writer. We need to know everything because events do not happen in a vacuum and characters need reasons to do what they do. Actually, that’s wrong; the world and the characters are not separate. They create each other. They constrain each other. They exist as a whole that is constantly in flux.

Let me give you an example. If you create a world that has only half the gravity of Earth, then the people of the world are not going ‘walk’ the way humans do. In fact, they may not walk at all because they will have evolved to suit their environment. In the same way, a world ravaged by war is not going to be all pretty and bucolic. There may be pockets of beauty but the environment will reflect what humans/aliens have done to it.

So…if we agree that information is necessary, how do we avoid presenting it as an info dump? I mean, sure, there will be some people who are so into the lore that they will enjoy the info dumps and look for more. But…you do know how few of them there are…right?

One of the saddest things I discovered during my thirteen year apprenticeship as a writer was that very little of my beloved research needed to be in the final story. Sadder still, I learned that even that little had to be presented in teeny tiny portions, around the edges of the action, or snuck in as an emotional flavouring to the motivation. Not because readers could not ‘understand’, but because they would be viewing the story from the outside.

I’ve use the words ‘viewing’ and ‘outside’ deliberately because that is exactly what happens when someone starts reading a work of science fiction or fantasy. They step into the world with brand new eyes, like travellers to a foreign country where nothing is like it is back home.

These intrepid travellers want to be there, they want to experience that newness, they want to immerse themselves in the world through the experiences of the main characters, but most of them want it to be an emotional journey, not an intellectual one. And that means no info dumps!

But how do you create a brand new world, a realistic world if you’re never allowed to talk about it?

This gets down to the how, and the how will be slightly different for every writer. Some writers, such as Martha Wells, ease readers into the newness very gently. I’m thinking of the Books of the Raksura here. The first book, although obviously not of this earth, is not all that alien either, and the main character comes across as almost human. But the world and the characters become more alien as the 7 book series continues. I enjoyed the entire series, but I think I enjoyed the later books more, precisely because they were more alien.

Another familiar strategy is to present a new world through the eyes of a human who ‘translates’ the strangeness for the reader. C.J.Cherryh accomplished this to perfection with her Foreigner series. Yet as much as I loved this series, I will always believe that Cyteen was/is her greatest work, despite the fact that it’s damned hard to read. I also have a great fondness for her Chanur series. The first one I ever read was Cuckoo’s Egg.

And then there are the stories that drop you in at the deep end and expect you to keep your head above water until you learn how to swim. Ahem. In these kinds of stories, the background of both the world and the characters is doled out a little at a time. Only just enough to explain the ‘moment’, if that. The idea is that the reader gets a feel for the world via the context.

To work, this particular type of storytelling has to provide the reader with just enough of the familiar to carry them over until the alien ‘bits’ start to coalesce. If the strategy works, the reader experiences a shift in perspective and starts to see the world as the characters see it. Deep immersion. When it doesn’t work, the reader gives up in disgust.

I suspect that all science fiction writers create one throw-’em-in-the-deep-end story because we get sick of the same old, same old and want to show that we can do better. Then we realise that readers would much prefer to read about people. Ahem.

But the all or nothing technique is an extreme way of avoiding info dumps. A similar effect can be achieved by:

  1. asking whether a particular detail is something the reader needs to know or something only the author needs to keep in mind,
  2. asking what the reader needs to know at this very moment,
  3. asking which part of an explanation fits the timing and mood of the story.

Because I love my research, no. 1 is a constant bug bear and my editing usually consists of ‘killing my darlings’. 🙂 No. 2 I find fairly easy because it’s how I teach. When people are confronted with the new, unnecessary, peripheral details just get in the way of understanding.

No. 3 however is something I still struggle with. When I start a scene, I usually have some idea of what I want the scene to accomplish, but that initial idea is rarely very good. Often it’s not until I’ve written the scene that I realise what the real point should have been. This is particularly true for characters as motivation is rarely cut and dried. In the following short excerpt, I wanted to show why Kaati thought it could get away with impersonating one of the Healers’ acolytes, despite knowing very little about the Healers or their acolytes:

‘Kaati had no desire to impersonate a Healer, but it was determined to steal one of the small starrock beads worn by their acolytes. In an eyrie teeming with Healers, acolytes were almost as ubiquitous as drudges, and far less visible…

if stories of Messenger being true

The sudden doubt made Kaati’s hearts pound, but it refused to countenance failure. Even if the Messenger had exaggerated the antics of its fellow acolyte, it would have had no reason to actually lie. Besides, it made sense for acolytes to play pranks on the Healers. Younglings always got up to mischief of some sort…

The soft skin around Kaati’s eyes crinkled in amusement as it remembered dropping a live taptoh into the Second’s gruel. The big Teller had not noticed until a small, many-legged lump crawled from the bowl.

The taptoh incident had been punished, of course, but the punishment had been remarkably mild, and it was not till much later that Kaati realised why. Stealth and cunning were the tools of the Tellers’ trade, so pulling off a prank like that would have been seen as a rite of passage, at least for some. The Second was dead, and its own journey had taken a sharp turn from the familiar, but some things never changed. Younglings were always the same, whether they were apprentice Tellers or acolytes to the Healers. They played pranks and avoided chores where possible.

So long as it wore an acolyte’s bead and looked busy, none of the Healers would give it a second glance…

Apart from the references to characters who appear earlier in the story, there’s actually a lot of background in these few paragraphs. There’s what Kaati wants to accomplish, there’s an acknowledgement that it doesn’t really know what the Healers and acolytes are like, there’s a snippet from its past, a hint that things have changed for the worse, and an intimation that it’s basing a heck of a lot on guess work. Yet I think each bit of information moves the story along in some way rather than bogging it down. One hopes

Vokhtah saga falls into the category of ‘extreme’ storytelling, but it does illustrate how much background you can sneak in while the reader isn’t looking. 😀

Whilst I enjoy reading most genres [except horror], I don’t know much about the techniques used to write them so I’d love to hear how other writers handle the dread info dump.

cheers
Meeks


“Liars and Thieves” by D.Wallace Peach

I had a feeling this book would ruin my sleep…and it did. “Just one more chapter” kept me awake until 3am, but it was worth every minute. My Amazon review is going to start with a great big 5/5 stars, but you guys will get a sneak peek, followed by some information from the author herself. Let’s begin!

Liars and Thieves, by D.Wallace Peach

‘Liars and Thieves’, the first book in the Unravelling the Veil trilogy introduces us to the three main characters: a female Elf named Alue, a male Changeling named Tallin, and a half-cast Goblin-Elf known as Naj. But this is no cookie cutter ‘quest’ story. The three start as enemies and continue as enemies for most of the book because their races dislike and distrust each other.

We learn about those races, as we learn about the three main characters, and I have to tell you that the world building is deep. Each of the three races have unique magical talents, but the one thing they all have in common is their dependence on Savan crystals to power their societies. And guess who controls the mining of the crystals?

The Savan crystals can only be found in the Goblin’s territory, and comprises a large part of their trade along with mechanical devices that are powered by the crystals. In theory, this gives the Goblins a great deal of power, but these Goblins are not your stereotypical villains. Far from it.

In Liars and Thieves, the Goblins are the cool, calm rational ones who revere reason and logic above all else. They trade the crystals to the other races but keep supply to a minimum because they don’t trust the other races not to abuse the power the crystals provide.

As the story progresses, you realise that the Goblins are right. Alue the Elf is not a bad person but she is arrogant and impulsive, especially when she’s angry, which is a lot of the time. In many ways, she is a fitting representative of her people who seem to believe that they have the right to take what they want simply by virtue of being Elves.

The third race is represented by Tallin, a Changeling who can transform himself into any animal, or insect, for which he has learned the ‘pattern’. He uses his ability to spy on the Elves for the Changeling Queen. The Changelings believe that it’s okay to subtly spy on and manipulate the Elves because the Elves have proved that they want the natural resources that belong to the Changelings – and are prepared to cheat to get them.

Like three countries in our own world, the three Races in ‘Liars and Thieves’ have an accord that defines boundaries and lays down rules to help balance the needs of the three Races. But this is no dry historical treatise. We learn all of this world building through the characters and their interactions with each other. As we learn about them, we learn about their world, and the process is seamless.

That process is also utterly compelling. As I said in the beginning, I lost sleep because of it, and now I’m itching to find out what happens next. I’ve enjoyed all of D. Wallace Peach’s work, but this one has really, really hit the spot for me.

And now for some info about D. Wallace Peach [Diana to her friends], and the answer to a question I asked her about her writing process.

Author Bio

D. Wallace Peach started writing later in life after the kids were grown and a move left her with hours to fill.

Years of working in business surrendered to a full-time indulgence in the imaginative world of books, and when she started writing, she was instantly hooked.

Diana lives in a log cabin amongst the tall evergreens and emerald moss of Oregon’s rainforest with her husband, two dogs, bats, owls, and the occasional family of coyotes.

And now for that question. I asked Diana whether she created the plot to suit her characters or created the characters to drive the plot, or a bit of both. This is what she said:

Great question! Thanks for asking. I think there are three parts to the creation process for me. I start with the concept—a spark of inspiration bursts into my brain. In this case, a story about how untruths and biases start an avalanche of blaming and retaliation that spirals out of control and nearly destroys the world. The end of the world based on nothing real.

Seconds after the concept, the characters scramble in. Some are gung-ho. Some are wary. And some, like my goblin, would rather not participate. All of a sudden, their personalities are showing and taking over.

The plot is a work in progress as the concept turns into action and the characters tell me who they are. My outline of the plot lays out all three books, but it changes continually as the characters make choices and become who they are. I love that creative part of writing.

Thanks for indulging my curiosity, Diana. I think that balance between the characters and the world and the plot is part of what makes ‘Liars and Thieves’ such a joy to read. Oh, and…Diana’s writing is beautiful. At times it almost flows like music. At other times it’s as sharp as a shiny new pin.

If you want to see what else Diana’s up, you can find her on her blog: http://mythsofthemirror.com

You can also find her at:

And last, but most certainly not least, you can find ‘Liars and Thieves’ via this universal book link:
http://a-fwd.com/asin=B08FGQ2W3Q
Or click on the picture of the book. It will take you to the same web address.

I’m recommending ‘Liars and Thieves’ to anyone who loves to read, irrespective of genre. A good story is a good story is a good story! Enjoy. 🙂

Meeks


New composer – Fran Soto!

Giddy with delight! New music to write to by Spanish composer, Fran Soto.

First up, the track that made me fall in love:

If you like this track as much as I do, you can find Fran Soto on:

Youtube: https://www.youtube.com/user/Echian

Soundcloud: https://youtu.be/rKiEtiN1hj8

You’re welcome 😀

Now it’s time for me to stop messing around and start writing. Sooooo happy!

Meeks

p.s. just found his actual website: http://fransotomusic.com/


Teacup Fairy Gardens — My OBT

Teacup Fairy Gardens — My OBT

These tiny gardens were just too gorgeous not to share. 🙂


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