Tag Archives: Amazon.com

Why is Amazon HIDING books from readers?

I’ve been buying books from Amazon since the days when the company didn’t make a profit, and the pundits thought that Jeff Bezos was mad. That’s a long time and an awful lot of books. Yet suddenly I can’t be trusted to choose books for myself????

For those who do not yet know, Amazon has a new ‘feature’ whereby an algorithm decides which books you should see when you go to an author’s ‘Author Page’. The ‘feature’ is called Top Picks and:

‘…allows Amazon customers to see personalized recommendations from your catalog of books. Customers will see this on your Author Page and it will suggest books based on these traits:

• New releases and pre-order books matching their interest.
• Unread books from a series they started.
• The customer’s reading and purchase history.

The goal is to help them find more books they want to read from you. Each customer will have a different recommendation, including you, if you’re logged into your Amazon account.’

That quote comes direct from a reply I received from Amazon support just this morning.

Sounds reasonable, kind of, until you realise that these Top Picks aren’t simply the first books you see when you go to an author’s page, they’re the ONLY books you see.

My Author Page is now more ‘normal’ than it was a few days ago when I took this screenshot – amazing what an angry email will do – but I’ve just looked at Robbie Cheadle’s Author Page to see her latest release, ‘Haunted Halloween Holiday, and this is what I see when I go to Robbie’s author page:

No Haunted Halloween. I have to scroll to the right on the carousel to finally see the book I’m looking for:

But what if I scroll down? That should bring it up shouldn’t it? Nope:

There are only three ‘Sir Chocolate’ books shown in the list, and NONE of them is her new one. Oh, but it’ll be on page 2, right?

Wrong. There is no ‘page 1 of 2’ at the bottom of the list the way it used to be.

Why? Because the list is automatically set to display by Kindle and popularity. When you try to change the ‘Sort by’ you get this:

Oh, ok, so a new book would be the one most recently published, right? If I sort by ‘Publication date’ I should see it straight away…

WTF? Why am I still not see it?

The reason is that Robbie’s new ‘Haunted Halloween Holiday’ is a paperback. So no matter what I sort by, it won’t show because the category is automatically set for Kindle…and only Kindle.

To see all of Robbie’s books I had to click ‘All Formats’ as shown above.

But what if I didn’t realise that the book was paperback only? Which I didn’t. Or what if I didn’t try the ‘All Formats’ option just to see what would happen?

Amazon? How is this feature supposed to make finding and buying a book easier?

First, I had to click twice just to get to Robbie’s author page…

CORRECTION: on amazon.com and amazon.co.uk you no longer have to click twice. BUT… you no longer get the little popup box that says “Find all the books….” either:

The screenshot above was taken from the amazon.com.au website which is still displaying the old, pre ‘new feature’ interface. I guess someone at Amazon finally realised that promising to show all books AND THEN NOT SHOWING THEM would be….misleading.

I repeat, how is this new feature making it easier to find a book on Amazon? Why do I have to work this hard to find a book when I already know the author and the name of the book?

Before this effing stupid new feature was dumped on us, an author’s page automatically showed all of an author’s work – including all of the available formats. These formats used to include paperbacks and foreign language editions. Now, I have to know how to work around the ‘feature’ in order to find what I want.

But what if a reader doesn’t already know that an author has a heap of other books? Why would such a reader go to so much trouble to find what’s been hidden?

The answer is that they wouldn’t.

Instead of making things more convenient for readers, Amazon’s new feature has made it harder.

And just for the record, how in heck is a new book supposed to ‘compete’ with an author’s older books for visibility? How can a new book be ‘more popular’ on launch? More importantly, how does it become more popular when it can’t be seen, even on the author’s own page?

Lack of visibility is hard enough for Indie authors at the best of times, but when our own author pages hide our books? Really Amazon?

The worst part of this new ‘feature’ however is what it does to reader choice. Quite frankly, I’ve always found Amazon recommendations to be laughable. They NEVER get it right, not for me, so from now on, this useless algorithm is not only going to recommend books that I don’t want to read, it’s going to hide the books it thinks I won’t want to see?

What kind of insanity is this? Amazon used to be about consumers, and consumer choice. Well, I’m a consumer and I hate being bullied by an algorithm. Worse, I’m now wondering who came up with the idea of restricting consumer’s choices. And why.

Is this step 1 in a downward spiral that will result in us only seeing books and products that have massive advertising budgets? Advertising budgets that fill Amazon’s coffers to overflowing?

Tin hat theory? Maybe, but this new feature has shaken my trust in Amazon, badly. I read a lot, and finding new books on Amazon that aren’t just the same old same old is already hard. How will I keep my reading addiction going if half the books I might like are hidden from me?

How can I make good choices when I don’t know what I don’t know? And where does Amazon get off bullying me like this?

Please, if you’re a Reader, contact Amazon support and tell them that you don’t want or need their ‘help’ in choosing a book. Or at least, not this kind of ‘help’. And if you’re a writer, for heaven’s sake, check your Amazon listing. 😦

Meeks


My Favourite bits…in Miira [2]

I was going to introduce you to the Innerscape assassin today, but I decided that post would work better tomorrow, when the book is actually free. For now, I’m going to show you my favourite bit of ‘tech’ in the book. It’s a bit gruesome but there is a happy ending. 🙂

So here, without further ado, is the final stage of Miira Tahn’s physical induction into the virtual world of Innerscape:

Exactly one week after entering Innerscape, Miira Tahn was ready for the most delicate and invasive part of the whole Induction process – the creation of the neural network that would link her to her new, digital home.

Before that could happen, however, her entire skull would have to be removed, including all the soft tissue of her face. Only then could her naked brain be encased in the bath of proprietary biofluids that would lead to full transition.

In keeping with the morbid humour that had named the containment modules the Catacombs, most of the medical staff referred to the biofluid as the ‘embalming fluid’, but that was a misnomer. In reality, the biofluid was seeded with self-replicating nanoparticles that would not only preserve the brain, they would invade it.

The centres for sight, sound, touch, taste, smell, gross and fine motor skills, and the finer senses like spatial awareness, all would be invaded. Some of the nanoparticles would even make their way to the amygdala because the ability to fear was an integral part of being human.

As the nanoparticles grew, they would self-organize into a network of artificial neural pathways which would interface between Miira’s organic brain and the electronic ‘brain’ of the Innerscape AIs.
Once that interface was complete, she would experience the most minute digital feedback as if it came from the real world, and in a very real sense, she would owe it all to Kenneth Wu.

Back when Innerscape first began, the neural interface had been little more than a net of microscopic sensors surgically implanted inside the skull of each Patient. The neural interface allowed them to enjoy a better quality of life than they would have done on the outside, but the experience had been less than perfect.

It had been Kenneth Wu’s idea to remove the skull completely, and it had been his ground-breaking work in nanotechnology that had been instrumental in the creation of the AI-neural interface Innerscape now used. No one alive knew more about Stage 3 of the process than he did, and even Charles McGragh deferred to him in this area.

“The team is ready to begin Stage 3, Dr. Wu,” Charles said evenly.
“My instruments are ready to begin as well,” the surgical AI added.

Kenneth Wu looked up at the image of Miira in his faceplate, but superimposed over that image was the memory of her frightened brown eyes staring up at him as the anaesthetic took effect. She had been scared, very scared, but her last look had held nothing but trust. She trusted him. He would not let her down.

“Begin.”
“Sealing external carotid arteries now,” the AI said as its tools cut through the skin with lightning speed. “External carotid arteries sealed. Initiating removal of skin.”

Even before the AI finished speaking, a fine mist began to form around Miira’s features. As the seconds ticked by it became progressively thicker until her whole head seemed to be encased in a swirling ball of white.

As Kenneth and the rest of the team watched, the mist gradually changed colour from white to a dirty pink.
When the mist was sucked away a few minutes later, all the soft tissue of Miira’s face was gone, leaving her head looking like a halloween mask. Her eye sockets gaped empty, her nose was gone, and her jaw sagged open, exposing the emptiness where her tongue had been.

“Phase 2 of Stage 3 complete,” the AI said. “Commencing removal of skull.”

Once again, a ball of liquid nanoparticles encased Miira’s head, but this time their function was to eat away at the bone protecting her brain. Bone was much denser than muscle and cartilage, and the process took a full 30 minutes. At the end of that time, the ball of liquid bore a rather disturbing resemblance to oatmeal porridge.

As the team watched, one of the tools hovering outside the ball released three drops of pale blue liquid onto the surface.
The outside of the ball quickly began to look more like dirty concrete than porridge. A few minutes later still, the concrete hardened and began to crack.

As the process accelerated, the cracks turned into shards, and the shards turned into even smaller fragments that lifted from the surface, and were drawn away like iron filings captured by a magnet. Once the hard crust was removed, the ball of liquid held in place by electromagnetic currents was perfectly clear once more. And nestled in the centre of it was Miira’s brain.

“Phase 3 of Stage 3 complete,” said the emotionless voice of the AI. “Commencing diagnostics.”

This was the moment at which Kenneth always held his breath. A great deal of computing power had gone into calculating the composition and number of nanoparticles to use, but there was always a slight element of uncertainty. If even a thin layer of unwanted cells remained around the patient’s brain, the embalming fluid would not work properly, and the team would have to take remedial action.

It could be done, but the results were not always optimal. The patients often suffered some small damage to the outer surface of the brain, or to one of the exposed blood vessels…

“Results are optimal,” the AI said.

Kenneth did not cheer like the rest of the team, but he did exhale on a very relieved sigh.

“Preparing to initiate Phase 4.”

This time, the AI inserted an array of needles into the ball of liquid cradling Miira’s brain. Each hollow needle was finer than a human hair, and dripped a measured dose of embalming fluid into the liquid. Over the next two days, the nanoparticles in the embalming fluid would grow to fill the entire ball.

Once that happened, the semi-solid surface of the ball would be sprayed with a different cocktail of nanoparticles which would grow into the interface connecting Miira’s mind to the digital world that awaited her.

“Phase 4 completed successfully.”

Now all we can do is wait, Kenneth thought with a familiar thrill of excitement mixed with trepidation. If he had done his job properly, the next time he saw Miira, it would be in Innerscape.


Anyone who’s followed my blog for any length of time will know that I love tech, and the life sciences, so I’m sure you’re not surprised by the technical detail that went into this part of the story. I do, however, apologise for the length of the excerpt. Miira’s induction into Innerscape is perhaps the most ‘scifi’ part of the entire story, and I wanted it to feel plausible. I believe that one day, this kind of technology, or something similar to it, will be commonplace. No more cutting through bone with a saw or making holes with a drill. Neurosurgeons will use very different tools to accomplish procedures that are currently impossible. I hope I’m around to see it.

Would I allow my body to become 100% dependent on an AI? Yes….with reservations. A digital world like Innerscape may one day provide terminal patients with a second chance at life, but wherever we ‘go’, we take our hopes, fears, strengths and weaknesses with us. That means no world will ever become a paradise, but with a little lot of good will, it could turn into a home…maybe.

Thank you for staying with me. I’ve had fun and hope you have too. Miira will become free tomorrow [my time] so I’ll post the third and last favourite for this book once the Amazon clock has ticked over. You can find the complete schedule of books coming up for free, here.

cheers
Meeks

 


30% Withholding Tax

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In this section you will learn about the the 30% US Withholding Tax, and how Australian Self-Publishers can get the tax reduced to 5%.

30% Withholding Tax

All authors who sell their books on Amazon.com are subject to a 30% Withholding Tax. This tax is automatically deducted from their earnings by Amazon.

Authors living in countries that have a Trade Treaty with the US, such as Australia, can apply for an exemption that reduces the tax to 5%.

If you are eligible for this exemption, KDP will send you an email explaining about the Withholding Tax. At the end of the email there will be a link to a page where you will be able to complete the tax exemption forms.

Requirements

Australian authors will need an Australian Tax File number.

On the tax exemption page, you will be asked to consent to filling in the form electronically.

You will also be asked to consent to providing an electronic signature for Form W-9. The electronic signature does not require any arcane graphical knowledge. You simply type your name and then click a button that confirms you are who you say you are.

Filling in the forms

A few things to remember about these forms:

  • You are completing the W-9 form as an individual so you can leave questions relating to businesses blank.
  • ‘Beneficial Owner’ refers to you as the owner of the work.
  • When you are asked if you have a TIN, answer yes as this is your Australian Tax File number.
  • You will be asked to type your ‘Australian TIN’ in the box provided. Type your Tax File Number exactly as it appears on your Tax File Number certificate.
  • For the US Persons Test, you should click the last entry which says ‘None of the above’.

Once these forms have been completed and submitted, Amazon can reduce your Withholding Tax to 5%.

In the next section we will look at purchasing an ISBN in Australia.

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