I didn’t intend to post again so soon. I’m always a little wary of boring you guys to tears but…I just found this review for Nabatea:
Imagine living on in a virtual world when you can no longer exist in the real one. Innerscape is such a world, and I thoroughly enjoyed escaping into it. Miira is a compelling and resourceful protagonist, not to mention relatable and likable. In this final book of the series, she must use what resources she has within the realm of Innerscape to uncover the mystery behind her love interest’s downfall. Crisp, evocative prose and impressive world-building make for a thoroughly engaging read.
Given how slack I’ve been on the marketing side, I really didn’t expect to generate much interest for Nabatea so this 5-star review was a very welcome surprise. I am now set for the day, maybe the whole week. lol
This day really couldn’t get any better. Just found this new review for The Godsend:
‘WOW the action certainly ramps up in this second book of the series. Miira and Jamie are trapped outside Innerscape and in mortal danger, there’s an assassin determined to kill The Burned Man, the falsely accused Kenneth Wu reappears, and much, much more.
I just left a 5 star review for Laughter Lines: Life at the Tail End by Sue Vincent. And I still haven’t stopped smiling. The review should be up on amazon.com in a day or two, but this is what I said:
I have never been a poetry person, but there’s something about Sue Vincents poems that really strikes a chord. They’re earthy, and funny, and poignant, and paint word pictures of things we’re all familiar with. Who has not dunked a biscuit [cookie] in coffee only to have it break and fall in the cup? Such a small, every day thing, and yet Vincent makes it laugh-out-loud funny.
And then there are the poems about the author’s dog, Ani. Those ones are particularly hilarious because Ani is like every dog I have ever known and loved – affectionate, intelligent, voracious, and just a little bit cunning.
But not all of the poems are funny. Some, like the one about Valentine’s Day, speak to the meaning of love. It’s a gentle reminder that we give and receive love every day of the year, in small heartfelt ways that cost nothing and mean everything.
And that, to me, is the essence of Sue Vincent’s poetry. It’s gentle, self-deprecating and utterly human. I would recommend Laughter Lines: Life from the Tail End to everyone, even those, like me, who don’t like poetry!
What I forgot to mention in the review is how satisfying it is to read poems that rhyme! My Dad used to spout poetry [in Hungarian] when I was a kid, and every poem had a distinct rhythm to it that was both mesmerising and easy on the ear. I guess I like that kind of poetry more than I thought!
To get a taste of Vincents verses, click on the Look Inside pic below:
lol – and no, that isn’t Ani monstering someone. I think she’s actually singing…or something. 🙂
Seriously, this book is wonderful. It will make you laugh, it will lift you up, and it will touch your heart.
What, where, when, how and why are the necessary elements of every great story, but in my not-so-humble opinion, the ‘why’ is the key. Without it, the event [what], its setting [the where and when], and the mechanics of how it happened are like the dry pages of a history book – factual but boring. Only the why brings the story to life because the why is always about people.
We are eternally fascinated by ourselves, but most of us are small, insignificant motes living small, insignificant lives. Only in fiction can we become something more. Only in fiction can we live bigger lives…from the safety of our armchairs.
In The Game, a six-part drama produced by the BBC, we are taken back in time to the Cold War when the Western democracies were pitted against the Soviet Union in an undeclared, covert war fought by spies, assassins, traitors, and information gatherers. Both sides had developed nuclear weapons post World War II, so if either side started a physical war, the result would be mutual destruction, many times over. It would be the end of everything.
I grew up in Australia during the Cold War, and although we felt very distant from all the pushing and shoving in the northern hemisphere, the possibility of being wiped off the face of the planet was very real. I remember reading Nevil Shute’s On the Beach and wondering how I would spend my last hours of life. Trust me when I say that the fear was real, as was the threat.
That is the ‘where’ and ‘when’ in which The Game unfolds. The ‘what’ is Operation Glass. No one in the UK’s MI5 know what Operation Glass is about, but they all know there might not be a UK if the Soviet plot is allowed to succeed. The following is a short trailer from Episode 2:
All of the people shown in that scene are key players in MI5, and you automatically relate to them as the ‘good guys’, but are they? Bit by bit as the six episodes unfold, we learn snippets from the past of each player, but these snippets are not just nice to know background fluff, they are the pieces of a jigsaw puzzle. Put the pieces together correctly and you discover how Operation Glass took MI5 by surprise.
If you know anything about that period of UK history, you’ll know that deep cover traitors were discovered. To say more would be to spoil a part of the story. Suffice to say that the ‘why’ of each character in The Game is vital to the story.
If I were doing a movie review, I’d give The Game 5 stars along with a recommendations that you watch it on ABC iView [for Australians]. But I’m a writer, and I have to say something more, something about balance. The ‘why’ may be key to any story, but it has to be balanced by all the other elements.
Frankly, nothing bores me more than a work of fiction that reads like a therapy session using fictional characters as the medium. Yes, the deep hurts of our lives are necessary if we want to write strong, believable characters, but great stories require that we sublimate those hurts. Great stories require that we find the universal in the personal. We have to find the elements that are common to us all. Only then can we write three dimensional characters that all of us can relate to.
And then we have to place those characters in terrible situations from which they will emerge stronger, braver, better…or dead. Okay, not always dead, but you know what I mean. 🙂
May your stories grab readers by the short and curlies, and may your characters display motivation we can all recognize! Write well, all you wonderful Indies out there, and may 2021 see you all gain the recognition you deserve.
I copied this review straight from amazon.com yesterday, but after the posts about Covid-19, it didn’t feel right to ‘blow my own horn’, so I decided to wait till today. Stay safe, Meeks
Audrey Driscoll 5.0 out of 5 stars A Fascinating Alien World Reviewed in Canada on March 11, 2020 Format: Kindle Edition Verified Purchase
This book is remarkable for the imagined world on which it’s set. Vokhtah has two suns. Its dominant life forms are the Vokh, creatures I visualized as similar to pterodactyls, and their smaller cousins and supporters, the iVokh. Most of the story is about the latter. These creatures are not human. Humans to not exist on this world, but human readers can relate to the thoughts, dilemmas, and emotions of the iVokh who are the primary actors. The Vokh reign like feudal lords over their eyries, which are managed and maintained by the iVokh, who are divided into a variety of physical types with different abilities, including (in the case of a few) telepathy and mind control. Traders are a clan who distribute goods among the eyries, and Healers are a guild with skills and knowledge to maintain life, and end it when necessary. The interactions of the groups are governed by iron-bound protocols and traditions and complicated by secrets and enmities. Sex, especially for the Vokh, is a brutal, violent business, but outside of mating occurrences, there is no gender. The only personal pronoun is “it.” This is not a quick, easy read. I re-read the first half of the book before writing this review to make sure I understood some of the details. The characters, even the sympathetic ones, don’t actually have names. They are designated by ranks and titles, some of which change over the course of the story. The reader is plunged into this alien world on the first page and has to figure out how things work while following the action. Some might give up in confusion, but the dilemma of the Drudge who is the first character encountered is eminently relatable. By the time that’s resolved, I was thoroughly engaged in the world and the story, keen to find out more about the strangely fascinating creatures with two hearts and inflatable wings. The book features a constructed language (conlang), but it does not appear frequently enough to be daunting. There is a helpful glossary at the end, which also explains how the creatures vocalize. Otherwise, the prose is clear and straightforward, with description kept direct and businesslike. There is no hyperbole. Dialogue is minimal, even though the iVokh have a characteristic (and curiously attractive) way of expressing themselves. Setting aside the alien aspects, the theme of this book is change and difference. Individual characters, and the groups to which they belong, must come up with ways to cope with situations they find unacceptable or challenging. Both the physical environment and the social structure are harsh and unforgiving. Transgressions come with a high price. It appears this is the first book in a series, and indeed much remains unresolved at the end. I hope a second volume is forthcoming.