Category Archives: Music

Music for the Acolyte

Music has always been a vital part of my writing because it speaks directly to the emotional and creative side of my brain. In a very real sense, it puts the logical side to ‘sleep’. For me, that is a necessity because technical writing comes so much easier.

But finding the right music for the right story has never been easy. Until today.

I give you, ‘The Journey of a Scarecrow’, by Indie composer – Jean-Gabriel Raynaud:

The instant the Scarecrow track began to play [on Soundcloud], I knew precisely who it was for. The quirky playfulness screamed ‘Acolyte’!

Who? What?

For those few brave souls who read my scifi/fantasy novel, ‘Vokhtah’, you may remember the small iVokh who worked for the Healers in Needlepoint. The Scarecrow is its signature song.

For everyone else, here’s a short excerpt from the book that introduces the reader to the Acolyte:

The Female was fast asleep when the steady drip, drip of the timepiece was joined by the scrape of wood across sand.

It was a small sound, as was the gap that appeared between the edge of the door and its frame. The gap was just wide enough to admit two twiggy fingers tipped with blunted claws. The fingers strained at the wood to no avail.

A dull thump sounded from the other side of the door as something heavy hit the sand. Two more fingers appeared and four blunted claws dug into the wood as the fingers jerked at the door. Each jerk widened the gap a little further until persistence finally triumphed, and the opening became wide enough for a small black face to appear.

Everything about that face was small, except for the eyes, which glowed huge and golden in the soft, blue light of the chamber’s single glow-worm.

After darting a timid glance from left to right, the face disappeared only to be replaced a moment later by a small black rump. Over-sized, jet black wings swept the sand as the hunched shape of the small iVokh backed into the chamber, dragging a sloshing leather bota. The water sack was almost as tall as the iVokh itself.

Diminutive by any standard, the healers’ acolyte looked more like an iVokhti than a fully-grown iVokh. In fact, the only parts of its anatomy close to normal size were its wings, and they seemed far too large for its small frame.

The Acolyte’s lack of stature was accompanied by a corresponding lack of strength. The Junior mocked its weakness at every opportunity, but the young iVokh prided itself on never failing in its duty. Clever and resourceful, it compensated for the weakness of its body by using the power of its wings. Only rarely did it have to rely on brute strength as it did now.

Bent over the bota, struggling to regain its breath, it stiffened as derisive hoots sounded from the outer cavern.

The Acolyte’s hide took on a hot, yellowish tinge. It did not like being closed in with the female, but it liked listening to the Junior’s oh-so-witty barbs even less. Pulling itself upright with a jerk, it grabbed the leather handle of the door with both hands and pulled. Embarrassment was a powerful motivator, and the door closed quickly.

The Acolyte features in Book 3 of The Suns of Vokhtah. Unfortunately, I’m still on book 2. That means I mustn’t allow myself to listen to this new music until I’m ready to write the Acolyte’s story… -cries quietly-

I hate these games I have to play with my subconscious, but my muse is temperamental at the best of times. At least now, I have a lot to look forward to.

Anyone else play games with their muse?

Meeks


I’ve found a new, favourite composer!

Musical tastes vary, I know, and mine may not match yours, but if it does…hi new friend! 🙂

Today I want to introduce you to my new favourite composer. His name is Peter Milinkovic, he hails from Serbia, and his company is called Talekeeper Music. What could be more perfect?

I found Milinkovic on Soundcloud which is an extraordinary website that showcases the work of new and not so new composers. The link below is for ‘Unbroken’, a track with a haunting melody and uplifting ‘pace’, very Kaati-ish :

The next one is called ‘Sun’ and the graphic is soooo Vokhtah! :

-dance-

I haz new writing music! Later all. 🙂

Meeks

 


‘Musick has charms to soothe a savage breast’

William Congreve wrote that line in a play called ‘The Mourning Bride’. I’m long past the point of being a bride, but I am in mourning so it seemed appropriate. A lot of hopes and dreams of a better, fairer life went up in smoke on May 18, but now it’s time to heal.

I can’t remember how I stumbled onto this song – thank you unknown blogger! – but I’ve been listening to it a lot lately. The composer is Ramin Djawadi, and the song is called ‘Light of the Seven’ [Season 6 of the Game of Thrones] :

cheers

Meeks


Yes! New music for writing

Nano took a back seat this morning as I’ve been searching for the ‘right’, writing music. I listened to new music by old favourites, but nothing really matched how I feel about this new story. So in desperation I went to SoundCloud and there, thanks to SoundClouds great recommendation engine, I found…

Jon Altino

This is the playlist I just put together. It’s a bit rough as I just grabbed songs as I heard them, but the very first one – A World Asleep – is glorious and should give you some idea of the kind of music I need this year.

Jon Altino? If you’re reading this, I wanted to buy the album, but iTunes only offered Superhero. Please, please put a new album up there!

Well, time to put this lovely music to the test and fire up StoryBox.  I have this feeling P7698 is going to flow a whole lot better today than yesterday.

cheers

Meeks


Flash Mob – Ravel’s Bolero

Installed a new browser – Vivaldi – which allowed me to finally watch the first episode of the new Doctor Who! So how better to celebrate than with one of my favourite classical pieces?

I could have found a slick orchestral video, but I thought you might enjoy this flash mob version instead. Enjoy!

cheers

Meeks


Cigány primás – Zoltán Mága

My Dad has been gone for eight years now, but he returned today, in the music of Zoltán Mága. I recognized the gypsy ‘style’ as soon as the Offspring said, “Mum, you have to hear this!’

This first video clip is a csárdás – the music for a Hungarian folk dance – and Zoltán Mága is what my Dad used to call a ‘Cigány primás’, literally the prime or first violin of a gypsy band.

Dad wasn’t a gypsy primás, but he did learn the violin from one, and that influence stayed with him his entire life. I grew up learning to play from sheet music [on the piano] so I could teach Dad to play songs by ear. One of his favourites was Lara’s Theme from Doctor Zhivago.

My tastes in music ran more to classical music like the Hungarian Rapsody by Franz Liszt or Ferenc Liszt as we Magyar would write it:

But Dad would have absolutely adored this exuberant gypsy music:

Pacsirta is a kind of bird, hence the bit in the middle. 🙂

Dad was a champion gymnast, a mechanical engineer, and in the last third of his life, a busker on the streets of Melbourne. He became quite famous as the man in the tuxedo who played his violin on the trains. He was 87 when he finally stopped playing, 89 when he died.

I miss you Dad.

28/03/1996 NEWS: Violinist ‘Lolly’ with activities support officer Ray Thompson. Busker. Busking. Buskers.


Retirement…slow down or speed up?

Not sure what your answer is, but mine is speed up! There are still so many stories I want to tell that another 50 years wouldn’t be enough, especially when I’m such a slow writer. And then there’s all that new tech coming online…

I’m not really a techie, you know. The true techies love all technology, whereas I’m pretty ambivalent about some of the innovations out there. Nevertheless, there are some gadgets I can hardly wait to use…like 3D printers for the home. Want that new top in your size? Not a problem, pay for the design and wait a few minutes while your 3D printer manufactures it for you. Or robots…I’ve loved the idea of robots since I first read ‘Door into Summer’ by Heinlein.

-laughs- I bet you thought Asimov was the only one who wrote about robots? Not so. You can find a description of ‘Door into Summer’ here.

Anyway, I’m saving my pennies for a household robot that will clean up after the cats, put the rubbish out, or maybe compost it on site? and mow the lawn. I’ve got a lot of lawn :/

But that’s not all! I haven’t had a chance to try VR yet, and it’s right up there as a ‘must do’ on my bucket list. I want to be able to travel the world from the comfort of my own home, and I want to fight monsters in glorious technicolour.

Of course, all of that depends upon how my eye-sight works with VR [I see depth via motion parallax, not stereopsis], but I’m hopeful, and this glorious track by Two Steps From Hell is how I feel at the ripe old age of 65. 🙂

The track is called ‘Unleashed’… Bring it on!

cheers

Meeks


Hilarious!

No intros…just watch & listen!

…and yes, it’s exactly what you think it is. 😀

My thanks to Russell Ray for introducing me to this fabulous video clip!

Happy Tuesday,

Meeks


Back to music!

It’s been ages since I posted anything about music because, well, I haven’t been listening to any. I’ve been completely engrossed in my technical writing for months now, and technical writing does not play well with music. Or at least it doesn’t for me because my focus has to be on clarity and precision, not creativity.

I’ve enjoyed my break from creative writing, but I’ve really missed the music, so my thanks to the Offspring for telling me about the soundtrack to the movie ‘Mongol’.

It’s like nothing I’ve ever listened to before, and the ‘throat singing’ is not exactly pretty to Western ears. And yet…and yet….I love it. It’s kind of raw and sets the nerves a-jangle, but it beats a cup of coffee when it comes to waking my brain up. See what you think:

 

Oh and I’m turning comments off so no one has to be polite. :p

-hugs-

Meeks


Barbra Streisand – The Broadway Album

The Offspring and I were listening to The Broadway Album on the way home, and it was…wonderful. I’d forgotten how exceptional this album truly is. Here are a few tracks that bring me out in goosebumps, even after so many years.

The first track is a re-arrangement/medley from The King and I, one of my favourite old-time musicals:

Next up is a song I didn’t much like when I first heard it. But Streisand’s version makes me shiver. This particular rendition was recorded only a couple of years ago. She still has it.

And now, Pretty Women. It’s another medley and always makes me smile.

Last but not least is a song that every Indie should listen to at least once a year! Pay attention to the lyrics. You won’t be disappointed. 😀

 

Enjoy. 🙂

Meeks


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