Category Archives: Innerscape

Miira means ‘mummy’ in Japanese!?!

Okay, life can be strange sometimes. I was on Amazon, quietly attaching my new print books [dance] to my Author Central page when my search for ‘Miira’ came up with five pages worth of results. And most of them were Japanese!

Given that my Miira is supposed to be a Eurasian of Chinese/Swedish extraction, I was a little dismayed. Clearly I should have done my research when I first came up with the name, but…I thought I’d made it up. Anyway, eager to make up for being lazy before, I googled ‘Miira’ and ‘Japanese’ and discovered that ‘miira’ means…

-cough- mummy -cough-

No, not the motherly kind of mummy but the wrapped-up-in-cloth-and-buried-in-a-sarcophagus kind. I kid you not.

Not exactly the connection I would have liked but hey…maybe I can break into the Japanese horror market one day? lol

In other news, the Offspring and I went out, actually out to see a movie last night and it was absolutely, fan-bloody-tastic. The movie is Blade Runner 2049, and if it’s still playing in a cinema near you, do yourself a favour and go see it on the big screen. Seriously, probably the best movie I’ve seen since Fury Road. Okay, it’s the only movie I’ve seen since Fury Road but let’s not split hairs.

Want to know something else? The production team of Blade Runner 2049 is chock full of Hungarians!

Yes, it has been a good weekend, and I hope yours turns out the same.

cheers

Meeks

 

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For Australian Indie authors – National Library of Australia

I only found out about this five minutes ago, so I suspect I’m not the only one who doesn’t know that all printed books published by Australian authors [whether Indie or Traditional] must be deposited [donated for free] to the National Library of Australia within 1 month of their publication.

This is a legal requirement.

Luckily, digital books – i.e. ebooks – only have to be deposited ‘if requested’. The following infographic was taken from the National Library of Australia website:

I was a little panicked until I looked carefully at that infographic. ‘Offline’ basically means anything physical – like a hardcover or paperback etc. ‘Online’ means anything digital – like an ebook.

This means that when I finished proofing all my books, I’m going to have to send a copy of each one to the library. And that means I have to find a local POD printer as a matter of urgency as the transportation costs from CreateSpace are steep.

Does anyone know of a POD printer in Melbourne? Actually, forget that, anywhere in Australia would be nice.

cheers

Meeks

 


Just a little bit famous :D

I’m kidding. I’m still not famous, dammit, but it was rather nice to have my books feature on the DVLC Facebook page. [DVLC is a community house/learning centre where I’ve volunteered for close to four years].

This is a screenshot of the Facebook article:

The lovely people from the Writers Workshop allowed me to come over and give a talk about publishing today. I was hoping to debunk some of the myths surrounding publishing – both traditional and Indie – but as it turned out, the discussion ranged much further than I expected and the time just flew.

To say I had fun would be an understatement. I’m used to chatting with all of you about writing related issues, but it feels so much more immediate when you can see your audience smiling back at you. Being able to hand my books around for the first time was also an amazing experience. I’m still on a high.

Have a great weekend πŸ™‚

Meeks

 

 

 

 

 


Innerscape update

In my ‘They. Have. Arrived’ post, I mentioned that I wasn’t completely happy with how the covers had turned out. It’s taken me the whole weekend to fix them, and I’ll have to re-upload all the cover files, but I’m finally happy with the ‘final final‘ versions. Yes, I know, don’t say it. πŸ™‚

One of the things I noticed once I had 3 physical books in my hands was that the spines didn’t completely line up. They were close but not 100% [and I know Dawn likes to line the spines up…]. So while I was fixing the width of the Miira spine, I decided to get all three spines right as well. And here they are:

-grin- They now line up to the hundredth of a millimetre…

Another thing that brought out the anal in me was The Godsend background image. No matter how I tried, I couldn’t completely control the level of transparency of the original background image so…I made my own. Who’d a thunk all that math my Dad made me study would come in handy?

I am proud of the perspective I managed to create by hand, but I have this nagging feeling that Corel must have a function somewhere that would have done the same thing a million times faster. Needless to say, I didn’t find it, but if anyone out there knows an easier way I’d really love to know. Anyway, here it is, and please don’t say it looks just like the old one. 😦

So that’s it. All I have to do now is proof read the interiors, re-upload the cover files, reconvert the Word files to StoryBox, get more ISBNs for the ‘new’ e-versions and…

I’m calling it a night. Time for dinner and some play time.

cheers

Meeks

 


They. Have. Arrived….

Not ten minutes ago, the doorbell rang, the animals scarpered, and I took possession of a small cardboard box with my name on it. I knew what it must be, but…it was almost a week early!

And there they were, the print proofs of the Innerscape books. Real at last:

Sorry for the poor quality of the pics. I took them with my mobile phone so you can’t see the rich deep colour or the way the light reflects off the gloss covers. What you can see, however, is that the Godsend cover didn’t work. This is a close-up:

The bit inside the red rectangle is the background image that’s meant to represent the Innerscape containment units. Instead of being a subtle hint, the image is as good as invisible. 😦

I know I’m not a professional cover designer, so I have to learn from my mistakes, but I feel as if I should have expected this one. You see in the print preview of the Godsend cover, the image did appear much darker than the image I was working on. But…I assumed it was just something to do with the print preview function. Wrong.

The Godsend cover won’t be hard to fix, but I’ll have to ‘guess’ at the finished product because I won’t be able to request a second proof [not because CreateSpace won’t allow it, but because the postage is so ridiculously expensive].

Another thing I’m going to have to guess at is the width of the Miira spine. For some reason, the actual spine is wider that the dimension I was working with in Corel. But this is both an annoying thing and a very, very good thing because I was worried ‘Miira’ would end up being ridiculously ‘thin’. Instead, it looks and feels like a normal, albeit ‘slim’ book so I’m thrilled by that. I’m also thrilled by the back covers. They look great, they’re very readable and they are beautifully consistent throughout the three books. I’m giving myself a pat on the back for that. πŸ™‚

The Offspring and I are going to celebrate tonight with a tender Rack of Lamb, roast potatoes and a salad of homegrown lettuce, followed by a movie. I hope your weekend starts as well as mine. πŸ™‚

cheers

Meeks

 


They’re on their way!

Proof copies of Miira, The Godsend and Nabatea are on their way! Expected date of arrival is Wednesday, 23rd of August, 2017. I don’t know how I’m going to wait that long without going nuts.

I know you old hands are probably trying not to smile at my excitement, but there’s a part of me that won’t really believe I’m a fully fledged writer until those physical books finally arrive. I guess they’re not called ‘proofs’ for nothing. πŸ™‚

Of course, the pragmatist in me knows full well that these print books won’t make an ounce of difference in terms of sales – POD books are expensive and I know they won’t sell. But…I’ve taken screenshots of every step of their production – both in Word and in Createspace – and I’m seriously thinking of turning all that information into a proper how-to print book. And then there’s the satisfaction of having something physical to hand out as samples, prizes and gifts.Those kinds of intangibles really are priceless.

-rubs hands with glee –

Plus I’m going to have a lot of fun along the way. πŸ˜€

cheers

Meeks


Miira cover – in 3D

Just finished the Miira cover, version nth [honestly? I’ve lost track], so I thought I’d celebrate by playing around with a 3D version. I think it turned out okay. πŸ™‚

The new blurb for the back is:

In 2101, the average person can expect to reach one hundred and ten. Miira Tahn, last Lady of Dhurai, is dying at just fifty-two. Faced with a slow, agonizing death, her only hope is a virtual paradise called Innerscape. There, the Residents inhabit beautiful, digital bodies indistinguishable from the real thing.

Or so the brochures say. But even Eden had a snake, and once inducted, the Residents of Innerscape can never return to the real world. If anything goes wrong, they will be lost in the dark forever.

Yet for Miira Tahn, even a tenuous hope is better than the fate that awaits her.

‘…sometimes you just have to close your eyes and jump…’

And finally, underneath the blurb will be this:

β€˜Miira’ is the first book of the Innerscape cyle and corresponds to Episode 1 of the original series.

After way too much angst, I finally decided to bite the bullet and redo the ebooks as well. Once I’m finished, both print and digital versions will comprise just three books:

  • Miira, book 1 = Episode 1 of Innerscape
  • The Godsend, book 2 = Episodes 2 and 3 of Innerscape, and
  • Nabatea, book 3 = Episodes 4 and 5 of Innerscape.

It’s not an ideal solution, but it’s the only one I can think of that will translate a five-part serial into three, organic story arcs. And as an added bonus, the new splits will allow me to make book 1 permafree…once I persuade Amazon that it’s necessary.

But those are long range plans. For now I’d just like to thank everyone who commented on version 1 of the covers. You’ll never know how valuable your feedback was. Massive hugs all round! Now I’m off to make a pretty toy out of books 2 and 3. πŸ˜€

love

Meeks

 


Nabatea – Innerscape book 3 cover

Still heaps of work to do, but I’m kind of pleased how this last cover turned out. Again, it’s still a mockup but I’d appreciate some feedback. Too bold? Too hard to see? Too something else??

I really need fresh eyes so please tell me if you notice something wrong. I also need to know whether the three covers provide enough visual continuity to make it obvious this is a series?

In particular, should I change no.1 to be more like 2 and 3 in terms of the circuit board wires and size of title?

Thanks πŸ™‚

Meeks

p.s. no.2 will actually be darker in the finished version.


The Godsend – Innerscape, book 2 cover

Just a quick update to show you what I’ve been obsessing about while I should have been writing blog posts. πŸ™‚

This is just a mockup as the ‘spine’ will be wider in the final – I haven’t worked out the total pages in book 2 yet but it will be a lot wider than the one for book 1.

Okay, that’s it. No comments on this one.

cheers

Meeks


Using the Createspace cover template with Corel X8

This post is a bit premature as I haven’t yet shown you how to find the exact number of pages of your manuscript, but…I’ll do it now while it’s fresh in my mind. So, here goes. To create the cover, you will need:

  • the trim size of your finished book – i.e. the finished size you want the book to be. Mine is 5.5 x 8.5. You’ll find info. on trim sizes here.
  • the number of pages you end up with when you pour your manuscript into the appropriate trim size template – i.e. with the margins, etc., preset by the template.
  • and some kind of graphics package. The one I use is Corel Draw X8.

Finally, you will need the Createspace cover template for the trim size of your choice:

You can find the ‘Build Template’ here:

https://www.createspace.com/Help/Book/Artwork.do;jsessionid=5C5EE350ED4B426685472D15E9996AB3.2129a643a7ae5ba6aeba4b626969fb21

To use the Build Template, simply select the trim size of your book from the drop down list like so:

Then type the total number of pages into the box for ‘Number of Pages’ and click the ‘Build Template’ button. The little app. does its thing, and in a moment you should be looking at something like this:

Click the ‘Click here to begin Download’ button and save the file to your computer. As the file is a compressed zip file, you will need a program to unzip it. Most people use Winzip. I prefer a non-Microsoft product called PowerArchiver. Whichever product you use, the file will be unzipped to look like this:

5.5×8.5_BW_230 is the name of the unzipped cover template and it comes in two versions – pdf or png. As I don’t have an app that works with pdf files, I imported the png version of the file into Corel X8.

This is what it looks like:

 

The instructions for using the template start with ‘Create a new layer in your image editing software. This layer will serve as the design layer.’ In other words, keep the cover guide separate from the graphic you build on top of it.

This is good advice as you don’t want to accidently meld the guide and your cover, with potentially drastic results. Nevertheless, I didn’t use the layers in that way. After tracing the dimensions of the cover template, I superimposed the tracing over my background image and worked with the tracing on the same layer as everything else. That’s what the faint white line is on the cover:

 

I could have used the guidelines in X8, but at one point I had so many of them all over the place, it would have been impossible to see what I was doing. Now I just have to remember to delete the guidelines before I send the image off to Createspace. [And boy do I hope I haven’t just jinxed myself!]

I hope you’ve all had a pleasant weekend,

cheers

Meeks


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