KDP how-to, ebook version – betas needed!

My thanks to Chris the Story-Reading Ape for pointing out that some readers might prefer an ebook version to beta. Well, here it is, almost:

Please ignore the price. Once the ebook is live on Amazon, I’ll gift up to 5 beta readers with the ebook.

Before anyone volunteers, however, there are a couple of constraints to consider:

• In order to gift you the ebook from Amazon, I’ll need an email address. I will not use your email address for any promotional activity such as ads or newsletters, but in the current climate, I like to put that point up front.
• The ebook will only work on tablets and mobile phones – i.e. it will work on the Kindle Fire, but it will not work on the ordinary, black & white Kindles.
• The step-by-step instructions were written for absolute beginners – i.e. I assumed that they would know nothing about POD publishing. If you are already experienced in POD, you may find the degree of ‘help’ too detailed.
• Zooming in. Because the ebook was created using KDP’s Textbook Creator, you will not be able to change the size of the font, but you will be able to zoom in on the screenshots. I figured that would be a smallish price to pay for colour images and layout control.
• The Table of Contents is very basic and only links to the chapter headings. Once the ebook version is finalised, I’ll go in and add at least another layer to the TOC, but I didn’t want to go to so much trouble when things could change a lot.

Okay, I think those are the only warnings I need to deliver. Ah, except for one: if you are not one of my beta readers, please do not buy the ebook as it will change before I’m finally happy with it. I hope the changes won’t be too substantial, but my betas may discover a glaring hole in either my knowledge or the way I’ve explained things so…

If anyone’s interested in becoming a beta for the ebook version, please contact me on:

meeka at triptychacf dot com

Thanks!

Meeks

IngramSpark cover template builder

Just a very quick post about the covers for IngramSpark.

First, you can find the template builder on the IngramSpark website here:

https://myaccount.ingramspark.com/Portal/Tools/CoverTemplateGenerator

You won’t have to register with IngramSpark to use the cover generator, but you will have to type in an ISBN for the book plus other details like total page count etc:

IngramSpark will send you an email so you can download the template [two choices InDesign or PDF].

The template will look like this:

The cover has to fit over the entire coloured area, with particular attention to the text that goes on the spine. Then the WHOLE template plus cover image has to be saved as one, converted to whatever [for me it’s PDF] and that is sent off as the cover file.

Hope that makes sense.

Night all,

Meeks

Australian #Selfpublishers needed to beta test KDP how-to guide

Apologies! I’d love to send beta copies of the paperback overseas, but the postage is a killer so this plea is for Aussies only.

So what do I want and what do you get?

I’d like 5 volunteers, anywhere in Australia, who’d be prepared to test the KDP how-to for functionality. I’ll send you a questionnaire to make things easier, but essentially, the questions I’d like answered are:

• do the step-by-step instructions leave anything out that a real beginner would need?
• do the examples make sense?
• are the screenshots good enough?
• are the page numbers in the Table of Contents accurate?
• are the page numbers in the Index accurate?
• if dipping into a guide is your style, do the Table of Contents and Index help you find what you’re looking for? Quickly? Easily?
• is the cover too garish? Tone down the green? Pick another colour for the back cover entirely?
• and of course, typos, but only if they hit you in the face. Don’t worry about combing through each page.

In return, you get to keep the proof copies I send you. No strings, no obligations. However, if you return the questionnaire, I’ll also send you a ‘first edition’ of the final, finished version. If you want it signed, I’ll do that too, but you can have it naked if you prefer. Again, no strings, no obligations. 🙂

Almost as important are the things I won’t do:

• no using your email address in any newsletters, either now or in the future,
• no contacting you directly with any promotional stuff, and
• no pressuring you to write a review.

So there you have it. I’m hoping to have the proof copies ready within 2 weeks, so if you think you’d be interested, please contact me on:

meeka at triptychacf dot com

or

@acflory on Twitter.

Many thanks,

Meeks

Barcodes for Indie Authors – updated June 6, 2018

I’m assuming that any Indies reading this post will have gone through the same frustrations that I did, so I’ll jump straight into the how-to part of the post. Once that’s done, I’ll talk about barcodes in general and discuss why you might want one. Let’s do it!

There are only TWO things you need to create your own, free barcode:

1. an ISBN for your book
2. a free online barcode generator

In Canada you can get an ISBN for free. In the US and Australia, you can buy an ISBN from a company called Bowker. The web address for the Australian company is:

https://www.myidentifiers.com.au/

If you want to know where to buy an ISBN for your own country, go to the website of the International ISBN Agency:

https://www.isbn-international.org/agencies

You should be looking at a screen like this:

Click the small down arrow [circled in red] to display a drop down list of countries. Scroll down to your country and click it. You should now see a detailed contact screen for the ISBN agency in your country. In the example shown below, I clicked on ‘United Kingdom and Ireland’:

Once you have your ISBN, you can go to the following website to use the free, barcode generator [you do not have to register first]:

https://www.bookow.com/index.php

On the Home page, select ‘Free ISBN-13 Bookland Barcode Generator’ as shown below:

You should now be looking at a page like this:

1. From the top of the page, type in your 13 digit ISBN, including the hyphens [or cut and paste it in].
2. Next, type 90000 in the Price textbox. This ensures that the scanner checks the bookshop’s own database for pricing.
3. Type your email address, twice.
4. Click inside the ‘Consent to email’ checkbox.
5. Leave the DPI at the default [300].
6. Now you have a choice of getting the barcode as a PDF file or as a PNG file. I find the PNG file easier to work with but the choice is yours. Either way you’ll end up with a picture of the barcode that’s been generated from your ISBN.
7. Save the barcode to your computer.
8. Insert the barcode into the back page of your book cover graphic.

Done. 🙂

Now for some of the explanatory stuff. Firstly, there are basically two kinds of barcodes [gross over simplification but work with me]. The first is for ‘things’ such as soap, toothpaste, butter etc. To get barcodes for these products, you have to register with GS1. This process is quite involved, but luckily it does not apply to books. 🙂

Books are covered by a completely different barcode that requires only an ISBN and a second, smaller code that simply tells the bookshop scanner where to look for the pricing information. If you want to get technical about it, this is a Bookland EAN-13 + 5-digit add-on type barcode. The one I created for my print book of Vokhtah looks like this:

The ISBN is displayed [in writing] twice, once at the top and once at the bottom. The 90000 barcode is added to the right of the main barcode.

Now, why would you need a barcode?

If you are using Print-On-Demand [POD] via CreateSpace or Amazon KDP, you will not have to worry about a barcode at all. If you get a free ISBN from either company, they will automatically generate a barcode from that ISBN and insert it into the cover for you. If you use your own, private ISBN, CreateSpace and Amazon KDP will also generate a barcode and insert it into the cover for you. But. Not all POD printers provide free ISBNs or barcodes, so if your chosen printer says you have to provide your own barcode, you now know how to do it…for FREE! Well, except for the ISBN but you have to pay for that anyway.  🙂

cheers

Meeks

 

Updated – now 41 self-publishing tips for absolute beginners

1. Print-On-Demand [POD for short] is new tech that allows books to be printed one at a time instead of in hundreds.
2. Print-On-Demand means authors don’t have to buy 100’s of their own print books.
3. 3 biggest Print-On-Demand printers are CreateSpace [Amazon], Lulu and IngramSpark. Amazon KDP is now offering print as well.
4. Lulu & IngramSpark have print facilities in Australia. Both are more expensive than CreateSpace or KDP but you save a lot in postage [and time].
5. Aussie authors wanting to print with IngramSpark must have an ABN and pay a $53 setup fee for each book.
6. Aussie authors wanting to get an ABN should read this how to first: https://acflory.wordpress.com/2018/04/22/how-to-apply-for-an-abn-the-basics/
7. Print-On-Demand works with standard trim sizes only. For table of trim sizes see : https://www.createspace.com/Special/Pop/book_trimsizes-pagecount.html
8. Trim size = physical size of book after pages glued inside cover & trimmed.
9. Page size templates for all trim sizes can be found on CreateSpace forums: https://forums.createspace.com/en/community/docs/DOC-1323
10. Convert Word A4 pages to trim size pages via the Word Page Setup dialog box.
11. ISBN = 13 digit no. that identifies your book worldwide. Buy your own ISBN or accept the free one offered by CreateSpace and KDP.
12. The downside of a free ISBN is that it can only be used with the company that issued it.
13. Aussie authors can buy ISBNs from Thorpe-Bowker: https://www.myidentifiers.com.au/
14. As a rule of thumb, print, ebook & audiobooks all need their own ISBN.
15. Books printed via CreateSpace and KDP are listed on Amazon automatically.
16. To publish Kindle ebooks go to: https://kdp.amazon.com/en_US/
17. Amazon supplies ebooks with ASIN identifiers so ISBN not strictly necessary.
18. If you want to ‘go wide’ & sell with other retailers as well as Amazon, your own ISBN is a must.
19. Most POD printers prefer PDF files but will accept Word files.
20. Before converting from Word to PDF, ensure all Word fonts are embedded in the document. See:  https://acflory.wordpress.com/2018/05/19/how-to-make-word-16-embed-all-your-fonts/
21. File/Export completed Word doc. to PDF. Then upload that PDF to the POD printer of your choice.
22. With KDP and CreateSpace, royalty = List Price – Print costs.
23. With CreateSpace, Print costs= Sales Channel % + Fixed Charges + Per Page Charge.
24. With CreateSpace, Standard sales channel % = 40% of List Price, Expanded sales channel % = 60%.
25. Spine of cover = trim size & no. of pages. See: https://www.createspace.com/Help/Book/Artwork.do
26. KDP cover template from:  https://kdp.amazon.com/en_US/cover-templates  Select trim size from drop down list, enter page count & paper colour, then download template.
27. CreateSpace cover template from: https://www.createspace.com/Help/Book/Artwork.do  Select Interior Type, Trim size and paper colour. Type in page count. Download template.
28. Lulu cover template from: http://www.lulu.com/create/books   Select trim size, type in page count, click Spine Width. Note down spine dimensions. Download template.
29. Lulu cover template is for front and back covers individually. If creating your own, all in one cover, ADD the width of the spine to the width of the 2 covers to get exact measurements.
30. CreateSpace & KDP cover templates both include the spine and are easier to use than Lulu’s templates.
31. Barcodes for CreateSpace and KDP – included at no cost.
32. Barcodes for Lulu – not included. Bar codes must be provided in black and white and should be 1.75″ wide x 1″ high (4.445 x 2.54 cm)
33. When converting covers to PDF for CreateSpace choose “PDF/X-1a,” “High-Quality Print” or “Press Quality” from the list of presets.
34. When converting covers to PDF for KDP paperback, “Press Quality” and “PDF/X-1a” both work.
35. When converting covers to PDF for Lulu, you are advised to set compatibility mode to PDF 1.3, but the newer PDF/X-1a works too.
36. Total page no. of book = pages AFTER conversion to chosen trim size [not A4 Word pages].
37. Amazon deducts 30% withholding tax from each sale. Aussies can claim exemption to reduce tax to 5%.
38. Withholding tax exemption: US TIN = Australian Tax File No.
39. Aussie authors must deposit 1 copy of each published book with the National Library of Australia: https://www.nla.gov.au/legal-deposit
40. Aussie authors must also deposit 1 copy of each published book with their state library: https://www.nla.gov.au/legal-deposit/australia-wide
41. Aussie authors – for Legal Deposit FAQ see:https://www.nla.gov.au/legal-deposit-faq

How to make Word 16 embed all your fonts

Before I begin, if you don’t want to self-publish your own paperback, or if you don’t use a PDF file to do it, look away now.

Right, this is the task:

1. convert your manuscript from a Word 16 [13 and possibly 10] document to a PDF file, in order to print with
2. Lulu.com, CreateSpace.com or KDP [possible IngramSpark as well]

The problem:

1. after converting to PDF, you find that there are fonts in your PDF that are not ’embedded’,
2. yet after scouring your original Word file, you can find no trace of these non-embedded fonts.

How can you fix something that doesn’t seem to be there?

Before launching into the how-to, let me go back and explain the problem in a little more detail. It all starts with the Word fonts. While Word documents look great on screen and print without problems, sharing them with others can be tricky as they may not have the same fonts on their version of Word.

This is where PDFs come in. They take a picture of your Word file so that it can be shared by just about anyone. However…for PDFs to work properly, all those pesky Word fonts have to be embedded in the PDF. With me so far?

Okay, so how do you know whether the fonts have been embedded in your PDF file or not?

Easy. Download a free copy of Adobe Acrobat Reader. Install it onto your computer and use it to open the PDF file of your manuscript. Once the manuscript is open:

1. click File, and
2. select Properties from the menu

With the Properties dialog box open, select the Font tab:

On the Font tab you will find a list of all the fonts used in your manuscript. Next to each one you should see ‘(Embedded Subset)’. I’ve underlined it in green above. If you see a font name without ‘Embedded Subset’ next to it [circled in red above], that means the font is loose and may be replaced with some other font when the reader opens the document [or tries to read your print book].

Now, you could take a chance and shrug the problem off, but printers tend to take a dim view of non-embedded fonts. CreateSpace tags them as errors but allows you to continue anyway. I suspect Lulu will be a bit less forgiving, that’s why I went looking for a solution.

Unfortunately, the solutions offered on the lulu.com website are not particularly useful unless you have an app called Adobe Distiller which is needed to make another app, called Lulu Job Options, work. Guess who doesn’t have Adobe Distiller?

My first brilliant idea was to go back into my Word file and get rid of the unembedded font[s]. Fail. I tried doing an Advanced search for the TimesNewRomanPSMT font, but the search came back with no returns. Given that I never choose TimesNewRoman, I can only think that it’s lurking somewhere in one of Words many defaults.

So then I spent about three, increasingly frustrated hours online, trying to hit on the right combination of search words to find an answer to my problem. I won’t bore you with the failures because the answer, when I finally found it, was right there in Word’s damn defaults. You’ll find it in the File/Options dialog box:

1. With your Word manuscript document open, click the File Tab.
2. From the File navigation pane, select ‘Options’:

‘Options’ is where the default options that govern much of the behind-the-scenes stuff lives in Word.

Once you click ‘Options’, the Word Options dialog box opens up. This is the motherlode:

Click Save on the navigation pane as shown [circled in red].

This will open up the Save options, one of which includes the option to ‘Embed fonts in the file’ [circled in red].

Click Embed fonts in the file.

Last but by no means least, uncheck both ‘Embed only the characters used in the document’ and ‘Do not embed common system fonts’. TimesNewRomanPSMT is one of those ‘common system fonts’. -rolls eyes and pulls hair-

Finally, click OK, save your Word file and then convert it to a new PDF file, again.

This time, when you open the new PDF with Acrobat Reader and check its properties, you should see something like this:

And there it is [circled in red], the TimesNewRomanPSMT font…embedded at last!

Happy publishing,

Meeks

 

 

 

 

The making of an Iron Age torc

In an earlier post I wrote about the Snettisham Great Torc, and how it had been created by artisans 2000 years ago. Well today I have something even more exciting to share – a video about how these amazingly beautiful objects were made using the simplest tools imaginable. And here it is:

Roughly half way through, the presenter talks about how she experimented with the technique by casting her own ingot of bronze and then patiently hammering it out into a thin piece of wire. The Iron Age artisan who made the torc must have been a master craftsman with a whole bunch of lesser journeymen and apprentices to help with the backbreaking work, but still, can you imagine how long it would have taken? And how many failures there would have been along the way? The skill, dedication and commitment of these craftmen is beyond my comprehension.

Once again, my thanks to Dawn of Dawn Gill Designs for finding this incredible video and sending me the link to it. If you haven’t yet guessed, Dawn is the blogger I call Silversmith because she makes beautiful pieces of jewellery. She’s also my go-to-person when I need information on crafting techniques. -waves at Dawn-

Okay, back to work. Today I upload Vokhtah and its new cover to Lulu! Vokhtah was my first book and the only one I have never been able to physically hold in my hands. Finally getting a print copy will signify the end of a learning curve that began in 2004. So excited. 🙂

cheers

Meeks

#KDP Cover Creator – in words and pictures

After reviewing the Amazon KDP print-on-demand process, and finding it wanting, I thought I’d better provide a guide to the Cover Creator do’s and don’ts.

To begin…

If you have already published an ebook with KDP:

1. Log in to KDP
2. Go to your Bookshelf
3. Find the ebook for which you want to create a paperback version and click ‘+ Create Paperback’

If you have not published with KDP before but have an ordinary Amazon account, go to the website:

https://kdp.amazon.com/en_US/

And sign in with your Amazon ID and Password. If you don’t have an Amazon account, click the big, yellow ‘Sign Up’ button and follow the registration instructions.

Once you’ve logged in to KDP, click the ‘+ Paperback’ button as shown below:

To work…

You should now be looking at the first page of the paperback setup screen. New authors will need to fill in the required details before they click ‘Save and Continue’ at the bottom of the screen. Existing authors will find the details already filled in using the details from the ebook.

Page 2 of the setup contains more questions, and down near the bottom half of the page you’ll find the Cover Creator option:

Click the yellow, ‘Launch Cover Creator’ button if you want to use the app to create a cover for your book.

[Note: if you already have a cover, you can upload it by clicking the ‘Upload a cover you already have…’ radio button instead. Covers must be in PDF format and they must be the appropriate size for whichever trim size you have chosen – i.e. for the physical dimensions of your book, including the spine]

You should now be looking at the ‘How to Use Cover Creator’ window:

This is essentially just an overview of the process. Click the ‘Continue’ button.

Next, you will be asked to choose a background picture for your cover. You have three options – use a free, KDP image, use your own image or skip this step:

Point at the options to see a description of that option. If you want to use your own image, click ‘From My Computer’ and select the appropriate file to use in the templates. If you’re not ready to select an image yet, click ‘Skip This Step’. You will be prompted later to select an image for the cover. For the purposes of this guide, we’ll be using the free images from the KDP gallery.

From Image Gallery…

The images in the KDP gallery are organised in categories. When you select one of the main categories listed on the left hand side of the window, the sub-categories will display on the right hand side. In the example shown below, the main category selected is ‘Backgrounds’:

Clicking one of the sub-categories will take you to the actual images. In the example shown below, I clicked on one of the images from the ‘Abstract’ sub-category:

Alternatively, I could have typed a keyword into the search box to narrow down my search.

Once you find the image you want, click the orange ‘Use this Image’ button.

Cover Creator inserts the chosen image into all of the available templates and displays them for you to choose the one you like the best:

Click the left and right direction arrows to see all the available templates [11]. When you find one you like, click it.

You should now be looking at the ‘Quick Tutorial’:

This is just a simple overlay that explains the purpose of the buttons, icons and guidelines. Click the ‘Dismiss’ button to get rid of the overlay.

While the overlay is helpful, it completely ignores the most basic elements of the screen – i.e. how to enter your own blurb on the back cover!

When you dismiss the tutorial overlay, this is what you will see:

The triangular orange alerts are there to tell you how to replace the nonsense text with real text. Point to an alert to see a description of what it’s about. Generally, to replace the nonsense text, simply click in the relevant paragraph. This will clear all text and allow you to type, or copy/paste, the correct text onto the cover.

Easy, right? Not quite. For reasons I can’t fathom, the default font size for the paragraphs is not the same as the text shown. For example, the font for the author bio is huge, so before you type in the blurb, you have to set the font style and size via the editing bar as shown below:

Click the small down arrow to display the list of available fonts. Click a font to select it.

Next, click the small down arrow next to ‘Auto Fit’ and select a font size because…auto fit doesn’t work and the font is still huge. As far as I could tell, selecting the size of the font is a case of trial and error. The alignment options seem to work, as do the font colour and drop shadow options, but no matter what I tried, the Bold and Italic options remained greyed out.

Once you have all the back cover text entered properly, click on the ‘Author Photo’ icon. You will see two options – ‘From My Computer’ and ‘Skip This Step’:

Down the very bottom, in tiny blue letters, you should also see a link to the ‘KDP image guidelines’. -grinds teeth- Clearly this screen has been re-used without adjusting for context. Clicking this link does provide some very important information about cover images – i.e. if you choose to use your own image – but it provides absolutely nothing about the Author Photo. Luckily, Cover Creator resizes the Author Photo to fit automatically.

But… All photos are not equal. First I tried a photo of 527 x 532 pixels, and it worked perfectly. Then I tried a much smaller one – 157 x 202 pixels. Cover Creator inserted it into the available space but came back with a problem. It thought the photo was less than 300 DPI. Actually, both photos were 300 DPI so the size had clearly triggered some glitch.

For your information, the following photo size seems to work well:

500 x 500 pixels or

1.667 x 1.667 inches or

42.33 x 42.33 millimeters

With the blurb and Author Photo taken care of, it’s time to edit the rest of the template. First up are the template colours. Click the paintbrush tab beneath your cover:

This will display an editing bar:

The options on the left allow you to select each colour individually from a pallet of colours. The options on the right are colour sets that work well together. If you are choosing your colours individually, be very careful that the background and font colour are a good contrast to each other. If they are too similar, the text will be very hard to read.

The next tab is the layout tab:

Clicking this tab displays a selection of preset layouts:

And finally, there’s the font tab:

This option is for Title, Sub-title [if you want one] and Author Name. It provides a series of font ‘sets’:

Click the left and right arrows to see all the sets, and try them out. Click one to select it.

[Note: I’m not sure if the fonts were all very similar or I’m just going blind, but they all looked the same the me. Of course, this might be a display glitch…]

If you want to insert a sub-title, you have to click around the cover until the sub-title text box suddenly appears. Kind of lame. Type in your sub-title.

Although finding the sub-title is not intuitive at all, one nice feature is that you can select any piece of text – e.g. Title, Sub-title, Blurb, Spine etc – and change its colour using the Text Colour option on the editing bar:

 

You can also change the font and font size, which makes me wonder why you’d bother with a Text tab in the first place. -shrug-

When you’ve finished tweaking the cover, click the ‘Preview’ button and sit back while the system puts the finished preview together. Depending on how big the cover files are, this can take a while.

If you’re satisfied with the appearance of the cover, click the ‘Save and Submit’ button at the bottom of the preview screen:

The cover file will be saved automatically, and you can continue with the rest of the setup for your print book.

I hope this helps,

Meeks

 

 

 

 

 

How to vector a bitmap with Corel Draw X8

I know there are easier ways to get rid of the background in a bitmap, but I’ve never been able to achieve the crisp results I wanted, so instead I apply nodes to the bitmap, effectively turning it into a vector of a bitmap.

What do I mean? I’ll explain with a real life example. This is the image I downloaded from freeimages.com:

The reason I downloaded it was because I wanted those two gears, and only those two gears. This is what I ended up with after 3 days of boring, painstaking work:

 

As you can see, the gears now appear in splendid isolation, crisp and clear, as if I’d photographed them against that dark charcoal background. This is how I did it.

Step 1 – Use the File/Import command [Ctrl I] to bring the bitmap file into Corel Draw X8.

Step 2 – Select the bitmap and click the Shape Tool as shown:

Step 3 – The bitmap should now have nodes displayed at each corner.

Right click anywhere on the ‘lines’ between the nodes to place a new node and open the right click menu:

 

Step 4 – From the right click menu select the ‘Add’ option. This will give you a new node to work with.

Step 5 – Use the Shape Tool to move the new node to the edge of the shape you want to bring out. At this point the lines between nodes will all be ‘straight’:

Step 6 – [optional] As this point I usually create a dark coloured, vector rectangle and place it behind the bitmap so I can see the shape, and its background, more easily. Use the Object/To Back of Page command to locate the rectangle behind the bitmap.

Step 7 – To mold the lines around the bitmap shape, you have to make them capable of bending into a curve. To do this, right click the node you want to change to a curve. The context sensitive menu is displayed again. This time, select the ‘To curve’ option.

Step 8 – The line between nodes should now display two directional arrows:

Click-hold-and-drag the directional arrows to create the required curve.

For the teeth of the gears, I had to use about 5 nodes for each tooth:

As you create the vector shape around the bitmap shape, the coloured background will be revealed, proving that the emerging shape no longer has a background. And of course that means you can place it on top of other images like so:

Ta dah! Not completely finished but it’ll do for now. Oh and I finally worked out how to stop the CMYK black from displaying as grey when converting to an RGB image. Soooo simple.

With the Corel Draw X8 screen displayed, select:

Tools/Color Management/Default Settings

This is will cause a popup window to be displayed. Find the Color Conversion Settings and change the Color Engine to ‘None’:

Now the blacks will stay black instead of displaying as a kacky grey. 🙂

cheers

Meeks

Free ebook promotion on Amazon

How to Print Your Novel with CreateSpace

A step-by-step guide for absolute beginners

 

“An absolute beginner is someone who has yet to learn all the little things everyone else takes for granted.”

Unfortunately, it’s always the little things that trip people up. That’s why ‘How to Print Your Novel with CreateSpace’ takes nothing for granted. Examples, screenshots and step-by-step instructions guide absolute beginners through the entire printing process, from start to finish.

The only pre-requisites are a basic knowledge of Microsoft Word, the ability to save and retrieve files, and an internet connection.

With patience, nothing is impossible.

‘How to Print Your Novel with CreateSpace’ is available as a paperback or as an ebook. The ebook is available on the following devices and apps:

You can find ‘How to Print Your Novel with CreateSpace’ on:

Amazon

The ebook is free from May 1 to 5, 2018.